Skip to main content

Roberta Flack - Angelitos Negros

That link between writing music and the physical outcome of it is one of the problems I have with the modern blues musician. They make records. They are not recorded. It's not their fault, you understand, we live in a time where music as product is inescapable, so everyone channels their art into this product even if they don't mean to. Their art is made with format in mind. Therefore the modern version of the blues, the type you find under the Blues & Jazz section in HMV, is the performer communicating their version of the blues to other people from original idea through to CD in jewel case. They are artists. My over simplistic view of the blues is that it has a purpose, and that purpose is to sing away your troubles or sooth them somehow. That's where the roots of the music lie. In theory, if you do a perfect job you won't be playing the blues anymore, as you'll have cheered your ass up. When you're on a 10 album contract you're probably less likely to work towards that goal, if you know what I mean.

Now, I know, a real or natural recording is impossible. I'm not naïve enough to think that the early race recordings I'm talking about were made in wonderful, uncorrupted surroundings and that their strength is in their purity, or some such nonsense. Like the late blues scholar, guitar legend and fat drunken antagonist John Fahey pointed out in his thesis on the aforementioned Charley Patton, any recorded environment is unnatural, even that of the folklorist who went from town to town making natural field recordings of black musicians.

But the early, late 1920s/early 1930s, race records are the closest we can come to natural, to hearing someone articulate their feelings in a piece of music conceived with no mind to commerce, even if the act of recording that music is commercial to the core. Don't underestimate how powerful that is.


Roberta Flack - Angelitos Negros
  • Released in: 1969
  • Genre: Jazz, Funk / Soul
  • Vocals by: Roberta Flack

"Roberta Flack performs in the areas of jazz, soul, and folk, and began her professional career recording for Atlantic Records without much success, until one of her earliest recordings which won the 1974 Grammy for Record of the Year."

See previous Song of the Day 

Labels:
Location: United States

Comments

Post a Comment

Popular posts from this blog

Jackson Browne - Kisses Sweeter than Wine

Europe has a rich history of embracing blues and jazz music. In the early 20th century, American jazz musicians began touring Europe, introducing the continent to a new sound that was unlike anything they had ever heard before. Jazz became an instant hit among European audiences, and many European musicians began incorporating jazz elements into their music. Today, jazz festivals are held all over Europe, attracting thousands of fans from all over the world. In addition, many European cities have thriving blues scenes, with local bands and musicians performing regularly. Blues and jazz have also made their way to Asia, where they have found a devoted fan base. Japan, in particular, has a thriving jazz scene, with many Japanese musicians achieving international recognition. In addition, China has also seen a rise in the popularity of jazz music in recent years. Jazz festivals are now held in major Asian cities such as Tokyo, Shanghai, and Hong Kong, attracting jazz lovers from all over ...
Post a Comment
Read more

Roy Haynes - Satan's Mysterious Feeling

Sun Studio, located at 706 Union Avenue, was started by one of the fathers of rock ‘n roll, Sam Phillips, in 1950. It was the commingling of the Memphis Recording Service and Sun Records that formed Sun Studio, and until 1969... The studio’s claim to fame is that it is where the first rock ‘n roll record was produced, Rocket 88, in April 1951. Stax Records was born in 1957. The original Stax was named Satellite Records until it changed its name to Stax in 1961. The company brought to the forefront American and Memphis soul, as well as gospel, funk and the Delta blues. Its most famous act was Otis Redding, and after his death in 1967, the studio struggled to stay in competition with Detroit’s Motown. The music of Memphis has evolved from its long, rich history. The legends of the past have created a legacy that newer artists can only hope to imitate but never really duplicate. A walk along Beale Street should invoke the memory of the great musicians who have come to and played in Memphi...
Post a Comment
Read more

David Sylvian - The First Day

When the story of Blues is told to the world, the small town Holly Springs, Mississippi and the North Mississippi region as a whole, is often left out. But, those who know, know that this region is the Hill Country, and it is the home of a style of blues unlike others and continuing to shape popular music culture. Mississippi Hill Country Blues, like all forms of the blues, is deeply rooted in the cultural memories and experiences of those who first performed it. It builds upon the African and diasporic emphasis upon rhythm as not just beats and timing, but giving syncopation and polyrhythm both rhythmic elements, an elevated role in music much like that of the melody. The driving rhythm and aggressive groove, established primarily by sitting on one chord for long phrases, set Hill Country Blues apart from other forms like Delta Blues. Hill Country Blues is the soundscape of the region that includes several counties and towns around Holly Spring, Senatobia, and Como, Mississippi. The r...
Post a Comment
Read more