Skip to main content

Cage The Elephant - Trouble

Great Britain in the late 1950s did not enjoy the variety of radio and television available in the United States. The BBC controlled virtually all broadcast entertainment in the United Kingdom. Popular music was heard only on a portion of broadcasting known as the Light Programme, which ceased broadcasting at midnight every day, and in any case, carried other presentations besides music. When the Beatles first arrived in America in 1964, they all expressed astonishment at the wide selection of radio stations and the programs they offered, which were still not available in Britain.

The ports were how American music gained a foothold in Great Britain, through the records which were brought in, both legally and illegally, from overseas. Listening to the music from the records, rather than occasional play on the radio, allowed the listeners to parse them carefully. British musicians learned to play the sounds from America, often modifying them to allow use of available instruments. Different sounds developed in Great Britain, sourced from the same American records. In London, Manchester, Tottenham, Liverpool, and other cities, distinctly different styles of British music were derived from the works of... other American performers.

British record producers and music entrepreneurs, aware of the record sales of American rock and roll acts, made several attempts to create home grown British competition. For the most part, they were unsuccessful... their success was not repeated in the United States, and they received little regard in Europe, including Germany, where American rock and roll was well received. They were pale limitations of their American counterparts. There were of course some exceptions, but they were relatively few.

Billy Fury was one, who mimicked the rockabilly style on Sound and Fury in 1960 with some success... A true British rock and roll star was Johnny Kidd, who with his group the Pirates recorded Shakin’ all Over, which continued to be covered by American and British bands for decades. Beginning in the early 1960s, British rock and roll ebbed, replaced by development of beat music in the north, and rhythm and blues in London and Manchester.


Cage The Elephant - Trouble
  • Released on: April 26, 2016
  • Genre: Dream folk, psychedelic pop
  • Written by: Dan Auerbach

"Cage The Elephant currently consists of Matt Shultz, vocals, his older brother Brad Shultz, rhythm guitar, Nick Bockrath, lead guitar, Matthan Minster, guitar, keyboards, Daniel Tichenor, bass, and Jared Champion, drums."

See previous Song of the Day 

Comments

Popular posts from this blog

Copyrights and Public Domain

Copyrighting and Public Domain Music A song is the combination of melody and words. Each is protected by copyright, the melody as a musical work and the lyrics as a literary work. One or the other could be used separately and still be protected. Image by Markus Spiske Public Domain Music Public domain essentially covers creative works that are no longer protected by intellectual property laws, compositions and musical recordings in which the claim to intellectual property has either expired, been forfeited, or been waived. Most people recognize the term public domain in reference to published works, including sheet music or musical recordings, which once were protected by copyright, but the copyright expired several decades after the artist’s death or a considerable length of time after the work’s creation. Once copyright expires on a work like a recorded song, you can use it for any purpose without paying the publisher, the artist, or another institution. The Two Types of Copyright ...

The Waterboys - Carolan's Weird Welcome

The blues developed during the mid 20th century as technology brought new instruments like the electric guitar, better microphones, and amplifiers to the live music scene. This new form of electric blues started in the Mississippi Delta and Chicago, but soon spread to other parts of the United States. Blues rock and British Blues developed, and soon the blues had spread to most popular genres. Rock was born from the blues, and hard rockin’ blues music is still a staple of club bands around the world. Early British rockers were avid collectors and imitators of early blues records. There’s no denying the blues stylings of modern stars like Adele. Pop star Christina Aguilera loves singing traditional blues songs, most notably her rendition of At Last at Etta James’s funeral. An incredible fusion of traditional African music, African American songs, and folk music, the blues had a worldwide impact that continues to flow through the melodies and harmonies of musical artists today. With its ...

Cannonball Adderley - Willow Weep for Me

The positivity and uplifting effect of the musical product is more likely to mean the musician is cheering themselves and everybody up rather than that the musician is telling us they are happy. This can largely be applied to attitudes to the performance of jazz and other Black cultures in the Western world. Whilst some of the aforementioned jazz pioneers, like Ella Fitzgerald, stayed clean, several had a history of drug abuse... which often resulted in premature deaths. Louis Armstrong, who used the infinitely safer drug marijuana throughout his 69 years... Whilst drug use was not uncommon among musicians in general, this pattern that many of the greats of jazz died young due to addictions speaks of a consistent level of turmoil, and alludes to their common experience of racism as a depressive factor in 20th Century America. Source: A Soft Reminder of Where Jazz Came From by Tom Platts Cannonball Adderley - Willow Weep for Me Released in: September 1955 Genre: Jazz Label: Savoy "...