Skip to main content

John Prine - Sam Stone

There is something to this magnificent music that draws my ears in a way like no other. People always say that there is that one song that you hear, and when it grabs you, it holds you to your very core. I would say most, if not all blues music I came in contact with had that effect on me. One benefit of growing up in the age of the internet was that I had options to craft my individuality the way I saw fit. In this case, I dived deep into the blues, because it was always at my fingertips. The way I saw it, why would I only listen to what was popular when I could literally explore any genre I wanted? I listened to punk, afrobeat, hip hop, gospel, and classical music. In each of these genres, I found the blues. It was so interesting to me understanding how everyone’s favorite band loved and admired the blues so greatly, yet everyday people didn’t seem to care about blues. 

I quickly learned that people’s perception of the Blues were heavily misguided. Some people thought it was just a black man strumming a guitar down south singing about whiskey and women. Other people reduced its complexity to being just a music that gave birth to Rock n Roll. The Blues in this narrative was an antiquated sonic form, its only purpose being a stepping stone to the development of rock and roll. Very few people were intentional in saying what it actually was though, an African American art form. I see the blues as a folkloric element to the Black experience that is passed down through generations, verbally or nonverbally. When I was a child growing up, my grandfather would sit in the back of his truck and listen to the radio. Oftentimes, I would tag along, and together we would spend afternoons sitting in his car listening to Blues music on the radio. I was much younger then, barely past four or five, however I knew that what I was experiencing was something special. I had no words to describe what that experience felt like until years later, when I came across a well known painting called The Banjo Lesson by Henry Ossawa Tanner. In that image, I saw an aesthetic contextualizing the relationship with my own grandfather, a Black man passing down culture and folklore to a younger generation.


John Prine - Sam Stone
  • Written by: John Prine
  • Released in: 1971
  • Genre: Rock, Folk

"John Prine was active as a composer, recording artist, live performer, and occasional actor from the early 1970s until his death. He was known for an often humorous style of original music that has elements of protest and social commentary."

See previous Song of the Day 

Comments

Popular posts from this blog

Copyrights and Public Domain

Copyrighting and Public Domain Music A song is the combination of melody and words. Each is protected by copyright, the melody as a musical work and the lyrics as a literary work. One or the other could be used separately and still be protected. Image by Markus Spiske Public Domain Music Public domain essentially covers creative works that are no longer protected by intellectual property laws, compositions and musical recordings in which the claim to intellectual property has either expired, been forfeited, or been waived. Most people recognize the term public domain in reference to published works, including sheet music or musical recordings, which once were protected by copyright, but the copyright expired several decades after the artist’s death or a considerable length of time after the work’s creation. Once copyright expires on a work like a recorded song, you can use it for any purpose without paying the publisher, the artist, or another institution. The Two Types of Copyright ...

The Waterboys - Carolan's Weird Welcome

The blues developed during the mid 20th century as technology brought new instruments like the electric guitar, better microphones, and amplifiers to the live music scene. This new form of electric blues started in the Mississippi Delta and Chicago, but soon spread to other parts of the United States. Blues rock and British Blues developed, and soon the blues had spread to most popular genres. Rock was born from the blues, and hard rockin’ blues music is still a staple of club bands around the world. Early British rockers were avid collectors and imitators of early blues records. There’s no denying the blues stylings of modern stars like Adele. Pop star Christina Aguilera loves singing traditional blues songs, most notably her rendition of At Last at Etta James’s funeral. An incredible fusion of traditional African music, African American songs, and folk music, the blues had a worldwide impact that continues to flow through the melodies and harmonies of musical artists today. With its ...

Cannonball Adderley - Willow Weep for Me

The positivity and uplifting effect of the musical product is more likely to mean the musician is cheering themselves and everybody up rather than that the musician is telling us they are happy. This can largely be applied to attitudes to the performance of jazz and other Black cultures in the Western world. Whilst some of the aforementioned jazz pioneers, like Ella Fitzgerald, stayed clean, several had a history of drug abuse... which often resulted in premature deaths. Louis Armstrong, who used the infinitely safer drug marijuana throughout his 69 years... Whilst drug use was not uncommon among musicians in general, this pattern that many of the greats of jazz died young due to addictions speaks of a consistent level of turmoil, and alludes to their common experience of racism as a depressive factor in 20th Century America. Source: A Soft Reminder of Where Jazz Came From by Tom Platts Cannonball Adderley - Willow Weep for Me Released in: September 1955 Genre: Jazz Label: Savoy "...