Skip to main content

Magazine - The Burden Of A Song

For its supporters, the advent of modern jazz signified progress, both artistic and social, a necessary and inevitable evolution in creative vision and technique as well as in racial opportunity and parity. This position met with fierce and often bitter opposition from partisans of older jazz, the small group collective improvisation model associated with New Orleans and Chicago in the 1920s. Proudly calling themselves moldy figs, this group argued that the earlier music evinced qualities of warmth, intimacy, and soulfulness that disappeared in the noise of mechanistic big bands and the cool, detached, affectless posture of the beboppers. 

The figs saw themselves as defenders of authentic jazz, which, in their unyielding formula, required proper instrumentation, a front line of trumpet, trombone, and clarinet, but not saxophone, blues harmony and tonality, and a natural swing feeling... A group of 14 or 16 players, in the traditionalists’ view, was simply too big to swing with the nimble and relaxed feeling of a group of five or seven rhythmically agile players. And bop groups, though properly sized, gave off a nervous, frustrated, neurotic vibe that countered the warmth and genial humanity that were the hallmarks of New Orleans and Chicago jazz.

Jazz’s modern traditionalist polemical war played out in Down Beat and Metronome, the latter adopting a strong modernist orientation led by critics Leonard Feather and Barry Ulanov, and in newer, more specialized traditionalist publications such as Record Changer and Jazz Information.


Magazine - The Burden Of A Song
  • Release on:  November 13, 2015
  • Released on: No Thyself album
  • Genre: Rock

"Magazine was one of the first post punk bands, edgy, nervous energy of punk and added elements of art rock, particularly with their theatrical live shows and shards of keyboards."

See previous Song of the Day

Labels:
Location: United States

Comments

Post a Comment

Popular posts from this blog

Jackson Browne - Kisses Sweeter than Wine

Europe has a rich history of embracing blues and jazz music. In the early 20th century, American jazz musicians began touring Europe, introducing the continent to a new sound that was unlike anything they had ever heard before. Jazz became an instant hit among European audiences, and many European musicians began incorporating jazz elements into their music. Today, jazz festivals are held all over Europe, attracting thousands of fans from all over the world. In addition, many European cities have thriving blues scenes, with local bands and musicians performing regularly. Blues and jazz have also made their way to Asia, where they have found a devoted fan base. Japan, in particular, has a thriving jazz scene, with many Japanese musicians achieving international recognition. In addition, China has also seen a rise in the popularity of jazz music in recent years. Jazz festivals are now held in major Asian cities such as Tokyo, Shanghai, and Hong Kong, attracting jazz lovers from all over ...
Post a Comment
Read more

Roy Haynes - Satan's Mysterious Feeling

Sun Studio, located at 706 Union Avenue, was started by one of the fathers of rock ‘n roll, Sam Phillips, in 1950. It was the commingling of the Memphis Recording Service and Sun Records that formed Sun Studio, and until 1969... The studio’s claim to fame is that it is where the first rock ‘n roll record was produced, Rocket 88, in April 1951. Stax Records was born in 1957. The original Stax was named Satellite Records until it changed its name to Stax in 1961. The company brought to the forefront American and Memphis soul, as well as gospel, funk and the Delta blues. Its most famous act was Otis Redding, and after his death in 1967, the studio struggled to stay in competition with Detroit’s Motown. The music of Memphis has evolved from its long, rich history. The legends of the past have created a legacy that newer artists can only hope to imitate but never really duplicate. A walk along Beale Street should invoke the memory of the great musicians who have come to and played in Memphi...
Post a Comment
Read more

David Sylvian - The First Day

When the story of Blues is told to the world, the small town Holly Springs, Mississippi and the North Mississippi region as a whole, is often left out. But, those who know, know that this region is the Hill Country, and it is the home of a style of blues unlike others and continuing to shape popular music culture. Mississippi Hill Country Blues, like all forms of the blues, is deeply rooted in the cultural memories and experiences of those who first performed it. It builds upon the African and diasporic emphasis upon rhythm as not just beats and timing, but giving syncopation and polyrhythm both rhythmic elements, an elevated role in music much like that of the melody. The driving rhythm and aggressive groove, established primarily by sitting on one chord for long phrases, set Hill Country Blues apart from other forms like Delta Blues. Hill Country Blues is the soundscape of the region that includes several counties and towns around Holly Spring, Senatobia, and Como, Mississippi. The r...
Post a Comment
Read more