Skip to main content

Stelvio Cipriani - Marea

With the advent of jazz during the 1920s, the popularity of the banjo declined. It was replaced by tenor banjos and plectrum banjos, and, with the advent of big band jazz, microphones, and pickups during the 1930s, by the guitar. The two principal blues banjoists to record, Papa Charlie Jackson from New Orleans and Gus Cannon from Mississippi, were bridging the gap between the nineteenth century songsters tradition and the country blues. Both musicians used the crossed notes technique involving returning to a chord, to facilitate finger picking patterns. In Jackson’s work, especially in his links between choruses, some of the fingering patterns that later emerged in the jazz playing of Lonnie Johnson are identifiable.

The decline of the five string banjo by the early twentieth century in America must have left countless banjos and banjo like instruments unused, a source of supply through junk and pawn shops for poor people who, for little cash investment, could experiment with such instruments and add them to their music making traditions.

During the late 1940s a new interest in folk music began that carried well into the early 1970s and was sparked by the civil rights movement in the South and the war in Vietnam. Seeger and Scruggs both introduced technological changes to the banjo and reaffirmed the role of the banjo in traditional and folk music after World War II. The tenor banjo also reemerged during the 1940s with the revival of traditional jazz. The banjo continued to be an almost exclusively white instrument.

Stelvio Cipriani - Marea
  • Released on: Travel On a Melody (Romantic Music to Relax Together) album
  • Release Date: May 15 2014
  • Genre: Easy Listening, Light Music

"An Italian composer, mostly of motion picture soundtracks and pianist. Stelvio Cipriani became prolific in the Italian film world and was awarded a Nastro d'Argento for Best Score for The Anonymous Venetian in 1970."

See previous Song of the Day

Comments

Popular posts from this blog

Moondog - Behold

The history of jazz has been one of fusion. Its musicians and composers have continually drawn upon a huge range of different musics to create the rich and diverse tapestry that is world jazz today. Jazz is an evolving tradition of music making. And how often, in the life stories of individual jazz musicians, do we see these same patterns operating at microcosm? The richness of Turkish music and culture sometimes seems at odds with its turbulent and cruel history. In 1979... the country suffered its third military take over in thirty years... Every kind of music was in Turkey at that point. But it was not appreciated. To understand the culture of the country, with those three military takeovers, Turkey could not go anywhere. Musically, it was very difficult. But things were beginning to happen. Traditional Turkish music is essentially monophonic, rich in melody and rhythm but with little by way of harmony. The contrast with western music, with its beautiful harmonies but rhythmic weakn...

Veronica Swift - A Little Taste

There has always been an uncomfortable tension between rhythm and blues and rock and roll, a cyclical influence that vacillates between inspiration, appropriation and separation. Popular music has broken off into categories of rock, pop, country, and R&B, each with their own origin stories. But R&B and rock, usually codified as vastly different, Black and white styles, have long been intertwined in ways our historical memory may have us forget.  Despite the innovation that comes from separation, rock and R&B always find their way back to each other. In recent years, rock veterans have turned to the genre’s classics for inspiration. Queens of the Stone Age veered from their typical hard rock with 2017’s Villains, a dance y album inspired by frontman Josh Homme’s love of 1920s jazz and swing, other Black genres that laid the groundwork for the popular music of today. The whitewashing of rock’s history has oversimplified music’s malleability and silenced the voices of Amer...

The Gap Band - The Sun Don't Shine Everyday

The Gap Band - The Sun Don't Shine Everyday Genre: RnB Released in: 1984 Duration: 5:14 "The Gap Band was most successful when working with producer Lonnie Simmons, with four consecutive gold records. Their party train soon slowed to a stop. They reformed in the 90s and occasionally toured and attempted a comeback album." See Previous Song of the Day