Skip to main content

Nat King Cole - Embraceable You

Gospel music took form through the 1920s and emerged in the 1930s, propelled in part by the great migration of African Americans northward fleeing the oppressive south and the advent of radio. Historically, the black church has been the cauldron from which African American artists emerge across all jazz genres. It is where African American artists learn to let go and let God. The spiritual nature of the music permits what academics call improvisation. Improvisation is a necessary component of all forms of jazz.

The traditional structure of gospel music shifted in the late 1930s when Thomas A. Dorsey, considered the father of gospel music, began working for Pilgrim Baptist Church in Chicago. A former jazz pianist and composer who had worked with famous artists like Ma Rainey. Dorsey created a new style of gospel music called gospel blues, which infused blues into traditional gospel music. It was initially rejected, however, by the end of the ’30s, gospel blues won over acceptance as the new form of traditional gospel music.

At the heart of the gospel music tradition is the use of a choir. The gospel choirs followed the call and response format, similar to that used in virtually all forms of Black American music. The 1930’s also brought the rise of gospel quartets... many Black gospel musicians were performing in the 20s and 30s, usually strumming a guitar and singing in the streets of southern cities. Four main styles of gospel music evolved, quartet style, traditional gospel, contemporary gospel, and praise and worship. These styles remain prevalent today.
Source: Gospel Blues 1930 by Dakota A Pippins


Nat King Cole - Embraceable You
  • Written by: Ira Gershwin, George Gershwin
  • Genre: Vocal Jazz
  • Released on: The King Cole Trio

"As a piano player, he formed a jazz trio in 1938 that played Los Angeles nightclubs, one of the first jazz trios featuring guitar and piano. Prior to this he had played music since he was a child and had worked with bands since he was sixteen."

See previous Song of the Day

Comments

Popular posts from this blog

Jackson Browne - Kisses Sweeter than Wine

Europe has a rich history of embracing blues and jazz music. In the early 20th century, American jazz musicians began touring Europe, introducing the continent to a new sound that was unlike anything they had ever heard before. Jazz became an instant hit among European audiences, and many European musicians began incorporating jazz elements into their music. Today, jazz festivals are held all over Europe, attracting thousands of fans from all over the world. In addition, many European cities have thriving blues scenes, with local bands and musicians performing regularly. Blues and jazz have also made their way to Asia, where they have found a devoted fan base. Japan, in particular, has a thriving jazz scene, with many Japanese musicians achieving international recognition. In addition, China has also seen a rise in the popularity of jazz music in recent years. Jazz festivals are now held in major Asian cities such as Tokyo, Shanghai, and Hong Kong, attracting jazz lovers from all over ...

Ian Brown - Home Is Where The Heart Is

Talking to artists about how they had adjusted to the pandemic yielded information that normally doesn’t come up during artist interviews. While some musicians lost their main source of income, others were able to continue with their regular day jobs that, given the generally low pay for gigs, often allowed them to be active in the blues. Others were forced to turn to webcasting. In Clarksdale, Lucious Spiller was one of the first to do these shows and was likely the most active, for a year he played every Wednesday night, on Thursday afternoons, a time amenable to Europeans, and on most Saturdays, about as often as he normally performed. Aside from a fall off after the first weeks, support for the gigs, which was almost enough to pay the bills, remained steady until things began to open up in May of 2021. About five years ago, Clarksdale reached the milestone of live music seven days a week, 365 days a year, but that ended abruptly... The contemporary Southern soul market is largely s...

David Sylvian - The First Day

When the story of Blues is told to the world, the small town Holly Springs, Mississippi and the North Mississippi region as a whole, is often left out. But, those who know, know that this region is the Hill Country, and it is the home of a style of blues unlike others and continuing to shape popular music culture. Mississippi Hill Country Blues, like all forms of the blues, is deeply rooted in the cultural memories and experiences of those who first performed it. It builds upon the African and diasporic emphasis upon rhythm as not just beats and timing, but giving syncopation and polyrhythm both rhythmic elements, an elevated role in music much like that of the melody. The driving rhythm and aggressive groove, established primarily by sitting on one chord for long phrases, set Hill Country Blues apart from other forms like Delta Blues. Hill Country Blues is the soundscape of the region that includes several counties and towns around Holly Spring, Senatobia, and Como, Mississippi. The r...