Skip to main content

Magic Sam - Chi-Town Boogie

Dancing in Your Head their refusal to abide by traditional values, their racy lyrics, the sexual innuendo of their rhythms, the goings on where they perform, their references to black magic and other vestigial descendants of African belief systems. In their turn, the feelings of blues folk toward their religious brethren have run an apparently bewildering gamut. Many blues greats shuttled between the sacred and the profane. Some of them, like Skip James, lapsed into silence for decades because they wouldn't sing the devil's music once they returned to the church... Interestingly, there's also a small but dynamic tradition of spiritual blues singers. Some are collected on Preachin the Gospel.

This meeting of the sacred and profane has flowed in the other direction as well. The '40s harmonies of groups like the Mills Brothers and the Ink Spots were gospel derived, and paved the way for the '50s doo woppers who likewise crossed gospel into pop. Sixties soul music and soul jazz also grew directly out of gospel, which turns on pyrotechnic vocal exhortations and improvisations.
Source: Dancing in Your Head Jazz, Blues, Rock, and Beyond  by Gene Santoro


Magic Sam - Chi-Town Boogie
  • Genre: Blues, Chicago Blues
  • Recorded in: Unknown

"Magic Sam he was signed by Cobra Records and became well known as a bluesman after the release of his first record, "All Your Love", in 1957. He was known for his distinctive tremolo guitar playing."

See previous Song of the Day

Labels:
Location: United States

Comments

Post a Comment

Popular posts from this blog

Jackson Browne - Kisses Sweeter than Wine

Europe has a rich history of embracing blues and jazz music. In the early 20th century, American jazz musicians began touring Europe, introducing the continent to a new sound that was unlike anything they had ever heard before. Jazz became an instant hit among European audiences, and many European musicians began incorporating jazz elements into their music. Today, jazz festivals are held all over Europe, attracting thousands of fans from all over the world. In addition, many European cities have thriving blues scenes, with local bands and musicians performing regularly. Blues and jazz have also made their way to Asia, where they have found a devoted fan base. Japan, in particular, has a thriving jazz scene, with many Japanese musicians achieving international recognition. In addition, China has also seen a rise in the popularity of jazz music in recent years. Jazz festivals are now held in major Asian cities such as Tokyo, Shanghai, and Hong Kong, attracting jazz lovers from all over ...
Post a Comment
Read more

Veronica Swift - A Little Taste

There has always been an uncomfortable tension between rhythm and blues and rock and roll, a cyclical influence that vacillates between inspiration, appropriation and separation. Popular music has broken off into categories of rock, pop, country, and R&B, each with their own origin stories. But R&B and rock, usually codified as vastly different, Black and white styles, have long been intertwined in ways our historical memory may have us forget.  Despite the innovation that comes from separation, rock and R&B always find their way back to each other. In recent years, rock veterans have turned to the genre’s classics for inspiration. Queens of the Stone Age veered from their typical hard rock with 2017’s Villains, a dance y album inspired by frontman Josh Homme’s love of 1920s jazz and swing, other Black genres that laid the groundwork for the popular music of today. The whitewashing of rock’s history has oversimplified music’s malleability and silenced the voices of Amer...
Post a Comment
Read more

Cannonball Adderley - Willow Weep for Me

The positivity and uplifting effect of the musical product is more likely to mean the musician is cheering themselves and everybody up rather than that the musician is telling us they are happy. This can largely be applied to attitudes to the performance of jazz and other Black cultures in the Western world. Whilst some of the aforementioned jazz pioneers, like Ella Fitzgerald, stayed clean, several had a history of drug abuse... which often resulted in premature deaths. Louis Armstrong, who used the infinitely safer drug marijuana throughout his 69 years... Whilst drug use was not uncommon among musicians in general, this pattern that many of the greats of jazz died young due to addictions speaks of a consistent level of turmoil, and alludes to their common experience of racism as a depressive factor in 20th Century America. Source: A Soft Reminder of Where Jazz Came From by Tom Platts Cannonball Adderley - Willow Weep for Me Released in: September 1955 Genre: Jazz Label: Savoy "...
Post a Comment
Read more