Skip to main content

Seat Of Pity - Knife In The Water

The blues appeal to the emotions and also make listeners want to dance or move their body in time to the music. The music usually has an underlying feeling of sadness, yet it can be a positive, happy experience as well. In Mississippi blues guitar players often use a knife held in the left hand or bottleneck worn on a left hand finger. As the player slides up and down the strings, he simulates the sound of a human voice crying. In Piedmont blues the guitar is intended to highlight the party and dance feeling of the song. In other instances the guitar is played in a style called fingerpicking, where the guitarist keeps the rhythm and plays the melody at the same time. The first time that a listener hears this style of playing, it sounds as though two guitars are playing at the same time. Most of the early folk blues artists accompanied themselves by playing finger style guitar. Later many of the musicians started to wear fingerpicks, which are worn over the fingernails of the right hand. Fingerpicks allow a musician to play louder and faster, but they usually produce very little variation in sound. Playing with the right hand fingers enables the player to play with more variations in tone, but the volume is softer. As the electric guitar developed, many musicians started to use a flat pick held in the right hand between the thumb and the index finger. Using the flat pick enables the player to play rapid single note passages, or to play rhythm without much effort. The disadvantage of a flat pick is that guitarists can play only one note at a time. It is possible to use the flat pick together with the right hand fingers, but this is a difficult technique.

Blues are usually sung by a single vocalist, although in a number of instances there are two voices. When two voices perform a song, usually they do not sing in harmony, but one voice answers the other, or offers spoken comments to the first verse. When rhythm and blues began, the instrumentation changed. The harmonica and guitar were amplified, and bass and drums were added. As R&B, developed, the acoustic bass was often replaced by an electric bass, and piano became more common. The piano mostly played rhythm parts, with the occasional solo. Saxophone solos were also featured on many R&B records. In soul records the guitar often became reduced to a rhythmic role, although sometimes, as in the records of such artists as James Brown, the rhythm guitar was prominent.


Seat Of Pity - Knife In The Water
  • From: Plays One Sound and Others album
  • Written by: Aaron Blount
  • Released: 1997

"Aaron Blunt is the band's primary songwriter and lead gutarist, along with Laura Krause who plays organ and often provides back-up vocals. Their line-up also include steel pedal player Bill McCullough and John Brewington on Bass."

See previous Song of the Day

Comments

Popular posts from this blog

The Psychotic Reactions - Skip To My Lou

It expresses the emotions of angst, anger, and lust in some of the only ways that are accepted by society. The history of this edgy music genre dates back to the 1950s. It was formed by a combination of the blues, gospel music, and country. Throughout the decades, rock ‘n roll has evolved and become famous for being the genre that’s continued to push the boundaries of music, and, sometimes, the cultural boundaries of society itself. In the 1950s rock ‘n roll could be defined as rhythm and blues. In the 1960s it was partial to new musical styles such as folk rock and soul. And in the 1970s hard rock was born. From the 1980s to the present, technology has had an enormous impact on the music industry. Good taste is the enemy of the revolution. This remark epitomizes the spirit of rock ‘n roll. You’re not expected to conform, you’re expected to be yourself… no matter what anyone thinks. You are admired deeply for expressing emotions such as anger, heartbreak, and sadness through music in a...

The Pat Moran Quartet - Come Rain Or Come Shine

The very institutional acceptance that many musicians sought in the mid to late 20th century has hitched jazz to a broken and still segregated education system. Partly as a result, the music has become inaccessible to, and disconnected from, many of the very people who created it, young Black Americans, poorer people and others at the societal margins. Of the more than 500 students who graduate from American universities with jazz degrees each year, less than 10 percent are Black, according to Department of Education statistics compiled by DataUSA. In 2017, the last year with data available, precisely 1 percent of jazz degree grads were Black women. The education is the anchor... We should be questioning our education system. Is it working? Is there a pipeline into the university for indigenous Black Americans to play their music, and learn their music? I don’t think that exists. Source: Jazz Has Always Been Protest Music. Can It Meet This Moment? by Giovanni Russonello The Pat Moran Q...

Kenny Dorham - Like Someone In Love Take 2

In the early 20th century, the blues was considered disreputable as white audiences began listening to blues. Blues came into its own as an important part of the country’s relatively new popular culture in the 1920s with the recording, first, of great female classic blues singers and, then, of the country folk blues singers of the Mississippi Delta, the Piedmont of the Carolinas, and Texas. The first copyrighted song was in 1912, the Dallas Blues. As huge numbers of African Americans left the South at this time due to failed Reconstruction, dismal economic conditions, oppression in the South and the hope of better treatment in the North between 1915 and 1940s, the blues went with them, and settled in the urban centers of the North, especially Chicago. A more urban, electric blues developed as a result, which eclipsed the rural blues of the South and eventually became both rock and roll and what would become known as rhythm and blues. Blues fell somewhat out of popular favor until the l...