Flip Phillips - Moonlight in Vermont

Flip Phillips - Moonlight in Vermont

Written by: Karl Suessdorf and John Blackburn
Released in: 2017
Genre: Jazz

"Flip Phillips was a regular soloist for the Woody Herman band in the middle 1940s and for the next ten years performed with Jazz at the Philharmonic. He retired to Florida, but after 15 years he returned to music after relocating to New York, recording again and performing into his 80s."

See Previous Song of the Day

Comments

Ry Cooder - Available Space

It all started with gospel music. After the American Civil War, in the mid 19th century, people moved north from the plantations to the cities, St Louis, Chicago and Memphis. By the end of the 19th century the syncopated rhythms of ragtime and the improvisational nature of jazz had arrived. Hard times in the great depression of the 1930s drove many swing jazz big bands out of business. Jump blues filled the gap. Patrons of dance halls needed small groups who could match the volume and atmosphere of the departed big bands. Singers would shout and saxophonists would honk. This gave performers names like shouters and honkers. Jump blues was an uptempo jazz tinged style of blues. Usually characterised by a vocalist in front of a large horn driven orchestra or medium sized combo with multiple horns. The style had a driving rhythm, intensely shouted vocal and honking tenor saxophone solos. There was also less reliance on the guitar as a lead instrument. It also had a hard, rhythmic drive and...

Lester Young - Ghost of a Chance (Take 1)

Philadelphia was well positioned to play a leading role in popular music. The city had long been one of the nation’s most important musical centers, with strong traditions in both European derived and African American music dating back to the eighteenth century. In the early twentieth century Philadelphia saw a dramatic increase in its Black population as a result of the Great Migration. By the 1940s, Philadelphia’s large and diverse Black population had created thriving scenes in jazz and gospel music. From these traditions a new kind of music emerged in the 1940s, in Philadelphia and across the nation. Usually played in small combos called jump bands, the music featured rollicking dance rhythms coupled with fairly simple blues based harmonies and melodies. The adaptation of this style, known as rhythm and blues or R&B, by white musicians essentially created rock and roll. In Philadelphia in the late 1940s and early 1950s, jump bands played dance halls, nightclubs, and corner bars...

Karen Dalton - Don't Make Promises

In the mid and late 1980s a more commercial, harder blues emerged that arguably crossed over a little with country music... Since the 1990s the blues as a core genre hasn’t changed massively, but then it never really did. What it has done, like so many other kinds of music, is melded and morphed with other kinds of music from around the world to create some really interesting takes on the old idea of the blues. Bands like Tinariwen for example who blend music from Mali with conventional blues to make something quite unlike either. Indeed in a kind of cyclical process, the blues has returned to many African countries and found new life there. Ultimately the blues is a kind of universal musical language, which shouldn’t be surprising given that it’s possible to trace many forms of modern popular music back to it if you look hard enough. There’s something reassuring and familiar about its pacing, structure and chord sequences. Whether it’s a hobo playing boxcar blues on a three stringed g...

Anomale Used Blog

Search This Blog