Skip to main content

Steve Winwood - We're All Looking

The roots concept also has an ideological undertone. It implies that you can study at one culture with the light of history, while the other cultures are just roots to the former, a repository of stagnant, centuries old tradition. The concept insinuates that one continent is a provider of musical raw material to be processed somewhere else. Now to us in Africa, this is not acceptable. We are not roots to anyone.

Why is there nobody talking about the jazz roots of South African urban music, for example? Here, people prefer to speak of influences. I have discussed some of these questions with our guitarist and singer... who sings many blues in our jazz band in Malawi. He would never claim to be the roots or the source of anything, but simply explain how he became interested in jazz through his uncle... and how he is trying to create his own music.


Steve Winwood - We're All Looking
  • Released on: Nine Lives album
  • Released in: April 15, 2008
  • Written by: Peter Godwin

"Steve Winwood achieved fame during the 1960s and 1970s as an integral member of three major bands. During the 1980s, his solo career flourished and he had a number of hit singles. His 1986 album Back in the High Life marked his career zenith, with hit singles including Back in the High Life."

See Previous Song of the Day 

Comments

Popular posts from this blog

Moondog - Behold

The history of jazz has been one of fusion. Its musicians and composers have continually drawn upon a huge range of different musics to create the rich and diverse tapestry that is world jazz today. Jazz is an evolving tradition of music making. And how often, in the life stories of individual jazz musicians, do we see these same patterns operating at microcosm? The richness of Turkish music and culture sometimes seems at odds with its turbulent and cruel history. In 1979... the country suffered its third military take over in thirty years... Every kind of music was in Turkey at that point. But it was not appreciated. To understand the culture of the country, with those three military takeovers, Turkey could not go anywhere. Musically, it was very difficult. But things were beginning to happen. Traditional Turkish music is essentially monophonic, rich in melody and rhythm but with little by way of harmony. The contrast with western music, with its beautiful harmonies but rhythmic weakn...

Veronica Swift - A Little Taste

There has always been an uncomfortable tension between rhythm and blues and rock and roll, a cyclical influence that vacillates between inspiration, appropriation and separation. Popular music has broken off into categories of rock, pop, country, and R&B, each with their own origin stories. But R&B and rock, usually codified as vastly different, Black and white styles, have long been intertwined in ways our historical memory may have us forget.  Despite the innovation that comes from separation, rock and R&B always find their way back to each other. In recent years, rock veterans have turned to the genre’s classics for inspiration. Queens of the Stone Age veered from their typical hard rock with 2017’s Villains, a dance y album inspired by frontman Josh Homme’s love of 1920s jazz and swing, other Black genres that laid the groundwork for the popular music of today. The whitewashing of rock’s history has oversimplified music’s malleability and silenced the voices of Amer...

The Gap Band - The Sun Don't Shine Everyday

The Gap Band - The Sun Don't Shine Everyday Genre: RnB Released in: 1984 Duration: 5:14 "The Gap Band was most successful when working with producer Lonnie Simmons, with four consecutive gold records. Their party train soon slowed to a stop. They reformed in the 90s and occasionally toured and attempted a comeback album." See Previous Song of the Day