Skip to main content

Veronica Swift - A Little Taste

With the arrival of the sounds of Fats Domino, James Brown, Otis Redding, Brook Benton and Ray Charles, the music was analyzed, taken apart, joked about and put together again. When jazz, blues, and R&B was played, it was usually speeded up by local musicians, who grew up with a scattered pace of mento. Over time American R&B and soul music became the leading music of the Caribbean.

The rise of American music in Jamaica helped to bring about the notorious sound systems. The Jamaican radio was controlled by the government and was then seen as far too conservative for the people and the black blues that the Jamaicans wanted to hear. Programming did not reflect the preferences of the population, and people continued to complain that the radio stations did not play what the public really wanted. R&B records were hard to come by, led alone good records, and far too expensive for most Jamaicans So, the sound systems came into play.

Mysteriously, by the early 1960’s, the major R&B and pop movement in America fizzled and died. The sound systems in Jamaica had been dependent on these American dance records for jobs and in order to keep the Jamaicans dancing. This drop in American music led directly to the beginnings of Reggae.


Veronica Swift - A Little Taste
  • Release on: August 30, 2019
  • First Released by: Dave Frishberg
  • Released on: Confession album zc

"Veronica Swift first two albums solidified her position in modern jazz. she shows that she’s more than a jazz singer, exploring French and Italian opera, European classical music, bossa nova, blues, industrial rock, funk, and vaudeville. She pulls the feat off without the results sounding callow or pastiche."

See Previous Song of the Day

Labels:
Location: United States

Comments

Post a Comment

Popular posts from this blog

Ry Cooder - Available Space

It all started with gospel music. After the American Civil War, in the mid 19th century, people moved north from the plantations to the cities, St Louis, Chicago and Memphis. By the end of the 19th century the syncopated rhythms of ragtime and the improvisational nature of jazz had arrived. Hard times in the great depression of the 1930s drove many swing jazz big bands out of business. Jump blues filled the gap. Patrons of dance halls needed small groups who could match the volume and atmosphere of the departed big bands. Singers would shout and saxophonists would honk. This gave performers names like shouters and honkers. Jump blues was an uptempo jazz tinged style of blues. Usually characterised by a vocalist in front of a large horn driven orchestra or medium sized combo with multiple horns. The style had a driving rhythm, intensely shouted vocal and honking tenor saxophone solos. There was also less reliance on the guitar as a lead instrument. It also had a hard, rhythmic drive and...
Post a Comment
Read more

Lester Young - Ghost of a Chance (Take 1)

Philadelphia was well positioned to play a leading role in popular music. The city had long been one of the nation’s most important musical centers, with strong traditions in both European derived and African American music dating back to the eighteenth century. In the early twentieth century Philadelphia saw a dramatic increase in its Black population as a result of the Great Migration. By the 1940s, Philadelphia’s large and diverse Black population had created thriving scenes in jazz and gospel music. From these traditions a new kind of music emerged in the 1940s, in Philadelphia and across the nation. Usually played in small combos called jump bands, the music featured rollicking dance rhythms coupled with fairly simple blues based harmonies and melodies. The adaptation of this style, known as rhythm and blues or R&B, by white musicians essentially created rock and roll. In Philadelphia in the late 1940s and early 1950s, jump bands played dance halls, nightclubs, and corner bars...
Post a Comment
Read more

Copyrights and Public Domain

Copyrighting and Public Domain Music A song is the combination of melody and words. Each is protected by copyright, the melody as a musical work and the lyrics as a literary work. One or the other could be used separately and still be protected. Image by Markus Spiske Public Domain Music Public domain essentially covers creative works that are no longer protected by intellectual property laws, compositions and musical recordings in which the claim to intellectual property has either expired, been forfeited, or been waived. Most people recognize the term public domain in reference to published works, including sheet music or musical recordings, which once were protected by copyright, but the copyright expired several decades after the artist’s death or a considerable length of time after the work’s creation. Once copyright expires on a work like a recorded song, you can use it for any purpose without paying the publisher, the artist, or another institution. The Two Types of Copyright ...
Post a Comment
Read more