Skip to main content

Smashing Pumpkins - A Stitch In Time

Musically, reggae is easier to hear than to define. One frustrated American drummer who found the oddly sprung rhythm difficult to master described it as inside out rock and roll with accents on the second two beats, and you break your back just trying to keep it going. Most Jamaican musicians demur when asked for a definition of the word reggae... Reggae mean comin’ from d’ people, you know. Ever'day ting, like from d’ ghetto. Majority beat. Regular beat that people use like food down there. We put music to it, make a dance out of it. I would say that reggae mean comin’ from d’ roots, ghetto music. Means poverty, suffering, and in the end, maybe union with God

Reggae appears to have evolved in the mid sixties from the confluence of key native rhythms... with American soul music that is heavily broadcast throughout the Caribbean from the States, especially James Brown and Otis Redding. Lyrical inspiration ranged from the traditional, calypso tinged island gospel to Clint Eastwood spaghetti westerns.

Like rock and roll, reggae has both a light and a dark side. The light is perhaps personified by Jimmy Cliff and the Maytals... The dark side of reggae comes through the music of Bob Marley and the Wailers, undeniably Jamaica's most exciting band. Singer/writer Marley, the Black Prince of reggae, propels the Wailers’ music with convulsive swing and unrelenting tension. A self proclaimed Rasta prophet, Marley's lyrical concerns are the cracking of whips in the slave ships of long ago and the inevitable black revolution.


Smashing Pumpkins - A Stitch In Time
  • Genre: Rock
  • Produced by: Billy Corgan, Kerry Brown, Bjorn Thorsrud, Howard Willing
  • Released on: Mar 2, 2010

"The Smashing Pumpkins created a postpunk blend of progressive rock, grunge, and psychedelia that incorporated the brooding atmospherics of goth rock and the adventurous melodiousness of dream pop bands."

See Previous Song of the Day 

Comments

Popular posts from this blog

The Psychotic Reactions - Skip To My Lou

It expresses the emotions of angst, anger, and lust in some of the only ways that are accepted by society. The history of this edgy music genre dates back to the 1950s. It was formed by a combination of the blues, gospel music, and country. Throughout the decades, rock ‘n roll has evolved and become famous for being the genre that’s continued to push the boundaries of music, and, sometimes, the cultural boundaries of society itself. In the 1950s rock ‘n roll could be defined as rhythm and blues. In the 1960s it was partial to new musical styles such as folk rock and soul. And in the 1970s hard rock was born. From the 1980s to the present, technology has had an enormous impact on the music industry. Good taste is the enemy of the revolution. This remark epitomizes the spirit of rock ‘n roll. You’re not expected to conform, you’re expected to be yourself… no matter what anyone thinks. You are admired deeply for expressing emotions such as anger, heartbreak, and sadness through music in a...

The Pat Moran Quartet - Come Rain Or Come Shine

The very institutional acceptance that many musicians sought in the mid to late 20th century has hitched jazz to a broken and still segregated education system. Partly as a result, the music has become inaccessible to, and disconnected from, many of the very people who created it, young Black Americans, poorer people and others at the societal margins. Of the more than 500 students who graduate from American universities with jazz degrees each year, less than 10 percent are Black, according to Department of Education statistics compiled by DataUSA. In 2017, the last year with data available, precisely 1 percent of jazz degree grads were Black women. The education is the anchor... We should be questioning our education system. Is it working? Is there a pipeline into the university for indigenous Black Americans to play their music, and learn their music? I don’t think that exists. Source: Jazz Has Always Been Protest Music. Can It Meet This Moment? by Giovanni Russonello The Pat Moran Q...

Kenny Dorham - Like Someone In Love Take 2

In the early 20th century, the blues was considered disreputable as white audiences began listening to blues. Blues came into its own as an important part of the country’s relatively new popular culture in the 1920s with the recording, first, of great female classic blues singers and, then, of the country folk blues singers of the Mississippi Delta, the Piedmont of the Carolinas, and Texas. The first copyrighted song was in 1912, the Dallas Blues. As huge numbers of African Americans left the South at this time due to failed Reconstruction, dismal economic conditions, oppression in the South and the hope of better treatment in the North between 1915 and 1940s, the blues went with them, and settled in the urban centers of the North, especially Chicago. A more urban, electric blues developed as a result, which eclipsed the rural blues of the South and eventually became both rock and roll and what would become known as rhythm and blues. Blues fell somewhat out of popular favor until the l...