Skip to main content

The Flamingos - A Kiss from Your Lips

Musically, rhythm and blues artists, translation,  African American artists, were making tremendous, groundbreaking music, but sales were a tiny fraction compared to lilywhite Pop music, which still made the bulk of the profits for all record companies. Rhythm and Blues was sold as race records through the distributors, a blatant classification based on skin color. Much the same could be said of country music, translation, whites who played rough sounding folk music, sold through the record stores as hillbilly records, it sold well enough for labels to produce these records, but compared to mainstream pop records, hillbilly records were a small blip in sales. There was no disguising the fact that hillbilly was a record company’s classification of poorer, less educated rural Americans.

Just look at the biggest selling artists of the late 1940s and early 1950s... These were the big sellers, the industry leaders, the big stars. It’s hard to visualize today, because now the industry is exactly the opposite, but during this era, really white music for really white people sold lots and lots of records. Even when truly hip African American artists like Nat King Cole scored a mainstream hit, it was always the whitest sounding thing they had ever made, a pander to the suburbanites who bought pleasant sounding recordings.

To come up with an answer for when Rock & Roll began, I believe it depends on several factors. I think to determine the beginning of Rock & Roll, you’ve got to have all three of the factors listed below.

First, I believe there must be a co mingling of black and white cultures, especially when music moved from the back alley blues clubs and the country music barns into the mainstream.


The Flamingos - A Kiss from Your Lips
  • Released in: December 1956
  • Recorded in: 1955–1956
  • Genre: Rock

"The Flamingos are an American doo wop group formed in Chicago in 1953. The band became popular in mid to late 1950s and are have since been hailed as one of the finest and most influential vocal groups in pop and doo wop music history."

See previous Song of the Day 

Comments

Popular posts from this blog

Ry Cooder - Available Space

It all started with gospel music. After the American Civil War, in the mid 19th century, people moved north from the plantations to the cities, St Louis, Chicago and Memphis. By the end of the 19th century the syncopated rhythms of ragtime and the improvisational nature of jazz had arrived. Hard times in the great depression of the 1930s drove many swing jazz big bands out of business. Jump blues filled the gap. Patrons of dance halls needed small groups who could match the volume and atmosphere of the departed big bands. Singers would shout and saxophonists would honk. This gave performers names like shouters and honkers. Jump blues was an uptempo jazz tinged style of blues. Usually characterised by a vocalist in front of a large horn driven orchestra or medium sized combo with multiple horns. The style had a driving rhythm, intensely shouted vocal and honking tenor saxophone solos. There was also less reliance on the guitar as a lead instrument. It also had a hard, rhythmic drive and...

Lester Young - Ghost of a Chance (Take 1)

Philadelphia was well positioned to play a leading role in popular music. The city had long been one of the nation’s most important musical centers, with strong traditions in both European derived and African American music dating back to the eighteenth century. In the early twentieth century Philadelphia saw a dramatic increase in its Black population as a result of the Great Migration. By the 1940s, Philadelphia’s large and diverse Black population had created thriving scenes in jazz and gospel music. From these traditions a new kind of music emerged in the 1940s, in Philadelphia and across the nation. Usually played in small combos called jump bands, the music featured rollicking dance rhythms coupled with fairly simple blues based harmonies and melodies. The adaptation of this style, known as rhythm and blues or R&B, by white musicians essentially created rock and roll. In Philadelphia in the late 1940s and early 1950s, jump bands played dance halls, nightclubs, and corner bars...

The Uncommon Vinyl Sizes & Speeds

The Uncommon Vinyl Sizes & Speeds The standard sizes and speed for vinyl records are 12" and 7" both played at 33 1/3 RPM or 45 RPM. RPM means revolution per minute, the number of times the record rotates a minute. Image by Mink Mingle Unusual Sizes for Vinyl 2 in (5.1 cm) Recorded at 10-20 seconds each side. 3 in (7.6 cm)   Also known as 8ban for 8cm Bandai, these were developed in Japan by record pressing company Toyokasei. Records in this format continue to be manufactured. 3 inch singles are made available exclusively. 4.7 in (12 cm)  Although dubbed a 5 inch record, to be usable in most compact disc players, the record can be no bigger than 120 mm. 5 in (13 cm) Children's records records were manufactured in this size from the early 1900s all the way up to the late 1950s and underground punk bands in the 1990s. 6 in (15 cm) From the late 1940s to the early 1960s. The 78 RPM speed was used for some children's records of this size well into the 1960s...