Skip to main content

Tricky - Ghetto Stars

The coming of rock & roll in the mid Fifties was not merely a musical revolution but a social and generational upheaval of vast and unpredictable scope. It also represented a major reversal in the business of popular music. There were no pre rock & roll counterparts... who parlayed a tiny Memphis label with a staff of one into a company whose artists sold millions of records throughout the world. In record business terms, rock & roll meant that small, formerly specialized labels like Sun, Chess and Specialty were invading the upper reaches of the pop charts, long the exclusive domain of the major corporate record labels and old line Tin Pan Alley music publishing interests.

Concentrating on high volume sales and bland, lowest common denominator pop disposables, the majors were caught napping by an unholy coalition of Southern renegade radio engineers, Philips, Jewish immigrant merchants, the Chess brothers,  black ex swing band musicians and raving hillbilly wild men. These were the marginal Americans who had been recording for specialized audiences since the majors had virtually ceded them that territory at the end of World War II. The ghettonstore front, nickle and dime record operation of 1949-53 suddenly emerged an industry giant in 1955-56, accounting for many and often most of the records at the top of the pop charts.
Source: The 50s: A Decade of Music That Changed the World by Robert Palmer


Tricky - Ghetto Stars
  • Released on: Sep 27, 2010
  • Genre: Electronic, Rock
  • Recorded in: Paris

"Tricky is British musician, considered one of the pillars of trip hop, a musical movement of the 1990s and he notably mixes rock, hip hop, electronic music and soul music."

See previous Song of the Day 

Comments

Popular posts from this blog

Ry Cooder - Available Space

It all started with gospel music. After the American Civil War, in the mid 19th century, people moved north from the plantations to the cities, St Louis, Chicago and Memphis. By the end of the 19th century the syncopated rhythms of ragtime and the improvisational nature of jazz had arrived. Hard times in the great depression of the 1930s drove many swing jazz big bands out of business. Jump blues filled the gap. Patrons of dance halls needed small groups who could match the volume and atmosphere of the departed big bands. Singers would shout and saxophonists would honk. This gave performers names like shouters and honkers. Jump blues was an uptempo jazz tinged style of blues. Usually characterised by a vocalist in front of a large horn driven orchestra or medium sized combo with multiple horns. The style had a driving rhythm, intensely shouted vocal and honking tenor saxophone solos. There was also less reliance on the guitar as a lead instrument. It also had a hard, rhythmic drive and...

Copyrights and Public Domain

Copyrighting and Public Domain Music A song is the combination of melody and words. Each is protected by copyright, the melody as a musical work and the lyrics as a literary work. One or the other could be used separately and still be protected. Image by Markus Spiske Public Domain Music Public domain essentially covers creative works that are no longer protected by intellectual property laws, compositions and musical recordings in which the claim to intellectual property has either expired, been forfeited, or been waived. Most people recognize the term public domain in reference to published works, including sheet music or musical recordings, which once were protected by copyright, but the copyright expired several decades after the artist’s death or a considerable length of time after the work’s creation. Once copyright expires on a work like a recorded song, you can use it for any purpose without paying the publisher, the artist, or another institution. The Two Types of Copyright ...

The Uncommon Vinyl Sizes & Speeds

The Uncommon Vinyl Sizes & Speeds The standard sizes and speed for vinyl records are 12" and 7" both played at 33 1/3 RPM or 45 RPM. RPM means revolution per minute, the number of times the record rotates a minute. Image by Mink Mingle Unusual Sizes for Vinyl 2 in (5.1 cm) Recorded at 10-20 seconds each side. 3 in (7.6 cm)   Also known as 8ban for 8cm Bandai, these were developed in Japan by record pressing company Toyokasei. Records in this format continue to be manufactured. 3 inch singles are made available exclusively. 4.7 in (12 cm)  Although dubbed a 5 inch record, to be usable in most compact disc players, the record can be no bigger than 120 mm. 5 in (13 cm) Children's records records were manufactured in this size from the early 1900s all the way up to the late 1950s and underground punk bands in the 1990s. 6 in (15 cm) From the late 1940s to the early 1960s. The 78 RPM speed was used for some children's records of this size well into the 1960s...