Skip to main content

The Collective Soul Band - Nowhere to Run

The hope beneath the despair of the blues is what Martin Luther King, Jr. heard, and his success as a reformer is due, in part, to his appreciation of the blues. His strategy of direct action through non violent resistance was an elegant example of the signifying, the practice in African American culture, involving a verbal strategy of indirection that exploited the gap between the denotative and figurative meanings of words, that goes on in the blues.

The blues is seldom associated with Martin Luther King, Jr. but its idiom was foundational to his life and career. In an opening address to the 1964 Berlin Jazz Festival, King offered remarks that give us insights that, in true blues fashion, circle back to where we began by considering the relationship between the blues and religious faith. Indeed, King began by identifying the blues as originating from a divine source.

What makes the blues effective as an agent for social change is its ability to show us how to live with integrity while accepting the contingencies of radical disappointment and profound disenchantment. The blues gives one the context and method for organizing and mobilizing around common concerns while at the same time providing the opportunity for the individual, so often lost in the mass of human need, to have a moment of single recognition and identity as the author of her own song, her own struggles, her own blues. To stick to one’s calling as a blues person, however, requires support... a courageous few who are leavening a loaf by bearing witness to the truth of our circumstances. Martin Luther King, Jr. was one such bluesman who offered a model for how to live a sanctified life.


The Collective Soul Band - Nowhere to Run
  • First performed by: Martha & the Vandellas
  • First Released on: February 10, 1965
  • Written by: Lamont Dozier, brothers Brian Holland, and Eddie Holland

"The Collective Soul group consists of the brothers Ed, lead vocalist, and Dean Roland, rhythm guitarist, Will Turpin, bassist, Johnny Rabb, drummer, and Jesse Triplett, lead guitarist."

See previous Song of the Day

Comments

Popular posts from this blog

The Psychotic Reactions - Skip To My Lou

It expresses the emotions of angst, anger, and lust in some of the only ways that are accepted by society. The history of this edgy music genre dates back to the 1950s. It was formed by a combination of the blues, gospel music, and country. Throughout the decades, rock ‘n roll has evolved and become famous for being the genre that’s continued to push the boundaries of music, and, sometimes, the cultural boundaries of society itself. In the 1950s rock ‘n roll could be defined as rhythm and blues. In the 1960s it was partial to new musical styles such as folk rock and soul. And in the 1970s hard rock was born. From the 1980s to the present, technology has had an enormous impact on the music industry. Good taste is the enemy of the revolution. This remark epitomizes the spirit of rock ‘n roll. You’re not expected to conform, you’re expected to be yourself… no matter what anyone thinks. You are admired deeply for expressing emotions such as anger, heartbreak, and sadness through music in a...

The Pat Moran Quartet - Come Rain Or Come Shine

The very institutional acceptance that many musicians sought in the mid to late 20th century has hitched jazz to a broken and still segregated education system. Partly as a result, the music has become inaccessible to, and disconnected from, many of the very people who created it, young Black Americans, poorer people and others at the societal margins. Of the more than 500 students who graduate from American universities with jazz degrees each year, less than 10 percent are Black, according to Department of Education statistics compiled by DataUSA. In 2017, the last year with data available, precisely 1 percent of jazz degree grads were Black women. The education is the anchor... We should be questioning our education system. Is it working? Is there a pipeline into the university for indigenous Black Americans to play their music, and learn their music? I don’t think that exists. Source: Jazz Has Always Been Protest Music. Can It Meet This Moment? by Giovanni Russonello The Pat Moran Q...

Kenny Dorham - Like Someone In Love Take 2

In the early 20th century, the blues was considered disreputable as white audiences began listening to blues. Blues came into its own as an important part of the country’s relatively new popular culture in the 1920s with the recording, first, of great female classic blues singers and, then, of the country folk blues singers of the Mississippi Delta, the Piedmont of the Carolinas, and Texas. The first copyrighted song was in 1912, the Dallas Blues. As huge numbers of African Americans left the South at this time due to failed Reconstruction, dismal economic conditions, oppression in the South and the hope of better treatment in the North between 1915 and 1940s, the blues went with them, and settled in the urban centers of the North, especially Chicago. A more urban, electric blues developed as a result, which eclipsed the rural blues of the South and eventually became both rock and roll and what would become known as rhythm and blues. Blues fell somewhat out of popular favor until the l...