Skip to main content

Kraftwerk - Computer World

A few more years and Rock and Roll will no doubt be washed back half forgotten into the sea of jazz. Jazz is a great big sea. It washes up all kinds of fish and shells and spume and waves with a steady old beat, or off beat. And Louis must be getting old if he thinks J. J. and Kai, and even Elvis, didn’t come out of the same sea he came out of, too. Some water has chlorine in it and some doesn’t. There’re all kinds of water. There’s salt water and Saratoga water and Vichy water, Quinine water and Pluto water, and Newport rain. And it’s all water. Throw it all in the sea, and the sea’ll keep on rolling along toward shore and crashing and booming back into itself again. The sun pulls the moon. The moon pulls the sea. They also pull jazz and me. Beyond Kai to Count to Lonnie to Texas Red, beyond June to Sarah to Billy to Bessie to Ma Rainey. And the Most is the It, the all of it.

Now, to wind it all up, with you in the middle, jazz is only what you yourself get out of it. Louis’s famous quote, or misquote probably­, Lady, if you have to ask what it is, you’ll never know. Well, I wouldn’t be so positive. The lady just might know, without being able to let loose the cry, to follow through, to light up before the fuse blows out. To me jazz is a montage of a dream deferred. A great big dream, yet to come, and always yet, to become ultimately and finally true. Maybe in the next seminar, for Saturday, Nat Hentoff and Billy Strayhorn and Tony Scott and the others on that panel will tell us about it, when they take up The Future of Jazz. The Bird was looking for that future like mad... That future is what you call pregnant. Potential papas and mamas of tomor­row’s jazz are all known. But THE papa and THE mama, maybe both, are anonymous. But the child will communicate. Jazz is a heartbeat, ­its heartbeat is yours. You will tell me about its perspectives when you get ready.


Kraftwerk - Computer World
  • Composed by: Ralf Hütter
  • Release in: 1981
  • Genre: Electronic

"Kraftwerk is an electronic band founded in 1970 in Düsseldorf, Germany. They pioneered electronic music in the 70s and are considered the most important and influential band of their genre."

Comments

Popular posts from this blog

Copyrights and Public Domain

Copyrighting and Public Domain Music A song is the combination of melody and words. Each is protected by copyright, the melody as a musical work and the lyrics as a literary work. One or the other could be used separately and still be protected. Image by Markus Spiske Public Domain Music Public domain essentially covers creative works that are no longer protected by intellectual property laws, compositions and musical recordings in which the claim to intellectual property has either expired, been forfeited, or been waived. Most people recognize the term public domain in reference to published works, including sheet music or musical recordings, which once were protected by copyright, but the copyright expired several decades after the artist’s death or a considerable length of time after the work’s creation. Once copyright expires on a work like a recorded song, you can use it for any purpose without paying the publisher, the artist, or another institution. The Two Types of Copyright ...

Cannonball Adderley - Willow Weep for Me

The positivity and uplifting effect of the musical product is more likely to mean the musician is cheering themselves and everybody up rather than that the musician is telling us they are happy. This can largely be applied to attitudes to the performance of jazz and other Black cultures in the Western world. Whilst some of the aforementioned jazz pioneers, like Ella Fitzgerald, stayed clean, several had a history of drug abuse... which often resulted in premature deaths. Louis Armstrong, who used the infinitely safer drug marijuana throughout his 69 years... Whilst drug use was not uncommon among musicians in general, this pattern that many of the greats of jazz died young due to addictions speaks of a consistent level of turmoil, and alludes to their common experience of racism as a depressive factor in 20th Century America. Source: A Soft Reminder of Where Jazz Came From by Tom Platts Cannonball Adderley - Willow Weep for Me Released in: September 1955 Genre: Jazz Label: Savoy "...

The Waterboys - Carolan's Weird Welcome

The blues developed during the mid 20th century as technology brought new instruments like the electric guitar, better microphones, and amplifiers to the live music scene. This new form of electric blues started in the Mississippi Delta and Chicago, but soon spread to other parts of the United States. Blues rock and British Blues developed, and soon the blues had spread to most popular genres. Rock was born from the blues, and hard rockin’ blues music is still a staple of club bands around the world. Early British rockers were avid collectors and imitators of early blues records. There’s no denying the blues stylings of modern stars like Adele. Pop star Christina Aguilera loves singing traditional blues songs, most notably her rendition of At Last at Etta James’s funeral. An incredible fusion of traditional African music, African American songs, and folk music, the blues had a worldwide impact that continues to flow through the melodies and harmonies of musical artists today. With its ...