Skip to main content

Karen Dalton - Lonesome Valley

Oliver himself had come up in traditional brass bands but then leaned toward the new hot music, beginning with his matriculation into the gutbucket Eagle Band, probably around 1908. Later, after playing the district with his Magnolia Band, he joined the top line Onward Brass Band under the Creole Manuel Perez. One observer wrote that when the Onward played a march, dirge, or hymn it was played to perfection, no blunders. Yet even in that rarefied company, Oliver began playing monkeyshines, improvised figures around the score. He straddled the Uptown/Downtown fence.

There were likely a couple reasons. First, like any Crescent City musician, he needed to cover all styles and repertoires, especially to follow new trends and suit an international audience. Second, more than anything, he wanted to be a band man. He needed camaraderie.

The musicians he knew from New Orleans were plagued by feelings of inferiority so crippling that they could not succeed professionally. For Oliver, the police raid amounted to one more loss in a world loaded with them. One more reason to go down in the mouth, to give up hope. Or to move north, like so many others.


Karen Dalton - Lonesome Valley
  • Released on: April 23, 2022
  • Arranged by: Karen Dalton
  • Recorded at: The Attic, Boulder

"In the early ‘60s, Karen Dalton became a fixture in the Greenwich Village folk scene, interpreting traditional material, blues standards, and the songs of her contemporaries."

See previous Song of the Day

Comments

Popular posts from this blog

Jackson Browne - Kisses Sweeter than Wine

Europe has a rich history of embracing blues and jazz music. In the early 20th century, American jazz musicians began touring Europe, introducing the continent to a new sound that was unlike anything they had ever heard before. Jazz became an instant hit among European audiences, and many European musicians began incorporating jazz elements into their music. Today, jazz festivals are held all over Europe, attracting thousands of fans from all over the world. In addition, many European cities have thriving blues scenes, with local bands and musicians performing regularly. Blues and jazz have also made their way to Asia, where they have found a devoted fan base. Japan, in particular, has a thriving jazz scene, with many Japanese musicians achieving international recognition. In addition, China has also seen a rise in the popularity of jazz music in recent years. Jazz festivals are now held in major Asian cities such as Tokyo, Shanghai, and Hong Kong, attracting jazz lovers from all over ...

Veronica Swift - A Little Taste

There has always been an uncomfortable tension between rhythm and blues and rock and roll, a cyclical influence that vacillates between inspiration, appropriation and separation. Popular music has broken off into categories of rock, pop, country, and R&B, each with their own origin stories. But R&B and rock, usually codified as vastly different, Black and white styles, have long been intertwined in ways our historical memory may have us forget.  Despite the innovation that comes from separation, rock and R&B always find their way back to each other. In recent years, rock veterans have turned to the genre’s classics for inspiration. Queens of the Stone Age veered from their typical hard rock with 2017’s Villains, a dance y album inspired by frontman Josh Homme’s love of 1920s jazz and swing, other Black genres that laid the groundwork for the popular music of today. The whitewashing of rock’s history has oversimplified music’s malleability and silenced the voices of Amer...

Cannonball Adderley - Willow Weep for Me

The positivity and uplifting effect of the musical product is more likely to mean the musician is cheering themselves and everybody up rather than that the musician is telling us they are happy. This can largely be applied to attitudes to the performance of jazz and other Black cultures in the Western world. Whilst some of the aforementioned jazz pioneers, like Ella Fitzgerald, stayed clean, several had a history of drug abuse... which often resulted in premature deaths. Louis Armstrong, who used the infinitely safer drug marijuana throughout his 69 years... Whilst drug use was not uncommon among musicians in general, this pattern that many of the greats of jazz died young due to addictions speaks of a consistent level of turmoil, and alludes to their common experience of racism as a depressive factor in 20th Century America. Source: A Soft Reminder of Where Jazz Came From by Tom Platts Cannonball Adderley - Willow Weep for Me Released in: September 1955 Genre: Jazz Label: Savoy "...