Skip to main content

Joni Mitchell - A Case of You

By the mid 1960s, popular music in Brazil had been influenced by, and or at least had incorporated some elements of rock and roll... blues influences such as the famed blue note broadly to address a few examples in Brazilian music. However, this does not mean that Brazilians had been playing the blues, far from it. In fact, Bossa Nova music... popular in the late 1950s and 1960s among the Brazilian upper socioeconomic cohort, hardly fit into the musical genre universally recognized as blues. That is, Bossa Nova and its musical and sociocultural frameworks... were worlds away from blues culture and from the musical landscapes of Robert Johnson, Muddy Waters, John Lee Hooker, or Howlin’ Wolf for example, former cotton sharecroppers who in turn, had a specific tonality, instrumentation, with different musical and cultural languages and styles inherently tied to the African American Mississippi Delta blues world or the Chicago blues world. Among other Brazilian artists and bands... were not blues musicians, despite being influenced by African American funk and soul music.

The introduction of blues in Brazil perhaps dovetails with the perception that American musical traditions, i.e.; folk, country, blues, ironically, which origins stemmed from the lowest socioeconomic U.S. demographic cohort, originate from a place that carries a strong or high cultural cachet as opposed to the perception that Brazil’s national popular music carries low cultural capital... That is, Brazilians suffer from a Periphery Complex, and despite that MPB, Música Popular Brasileira, Brazilian Popular Music, has long been tied to Brazil’s nationalistic sentiments, the processes of cultural imperialism and the Americanization of Brazilian music... possibly stems from a long Brazilian obsession with U.S. culture, music and mores. The perception that Brazil was and is, and will always be, the country of the future, has perhaps led many Brazilians to believe that by listening and/or playing música americana, American music they may have a chance to participate, imagine, and even belong to the modern world. However, playing music from a foreign country, sung in a foreign language, and from an alien culture, comes with its own predicaments. One of them, is the notion of authenticity.


Joni Mitchell - A Case of You
Written by: Joni Mitchell
Genre: Jazz, Pop/Rock
Released on: June 22, 1971

"One of the most influential singer songwriters to emerge from the 1960s folk music circuit, Joni Mitchell became known for her starkly personal lyrics and has received many accolades, including ten Grammy Awards and an induction into the Rock and Roll Hall of Fame in 1997."

See previous Song of the Day

Labels:
Location: United States

Comments

Post a Comment

Popular posts from this blog

The Psychotic Reactions - Skip To My Lou

It expresses the emotions of angst, anger, and lust in some of the only ways that are accepted by society. The history of this edgy music genre dates back to the 1950s. It was formed by a combination of the blues, gospel music, and country. Throughout the decades, rock ‘n roll has evolved and become famous for being the genre that’s continued to push the boundaries of music, and, sometimes, the cultural boundaries of society itself. In the 1950s rock ‘n roll could be defined as rhythm and blues. In the 1960s it was partial to new musical styles such as folk rock and soul. And in the 1970s hard rock was born. From the 1980s to the present, technology has had an enormous impact on the music industry. Good taste is the enemy of the revolution. This remark epitomizes the spirit of rock ‘n roll. You’re not expected to conform, you’re expected to be yourself… no matter what anyone thinks. You are admired deeply for expressing emotions such as anger, heartbreak, and sadness through music in a...
Post a Comment
Read more

The Pat Moran Quartet - Come Rain Or Come Shine

The very institutional acceptance that many musicians sought in the mid to late 20th century has hitched jazz to a broken and still segregated education system. Partly as a result, the music has become inaccessible to, and disconnected from, many of the very people who created it, young Black Americans, poorer people and others at the societal margins. Of the more than 500 students who graduate from American universities with jazz degrees each year, less than 10 percent are Black, according to Department of Education statistics compiled by DataUSA. In 2017, the last year with data available, precisely 1 percent of jazz degree grads were Black women. The education is the anchor... We should be questioning our education system. Is it working? Is there a pipeline into the university for indigenous Black Americans to play their music, and learn their music? I don’t think that exists. Source: Jazz Has Always Been Protest Music. Can It Meet This Moment? by Giovanni Russonello The Pat Moran Q...
Post a Comment
Read more

Kenny Dorham - Like Someone In Love Take 2

In the early 20th century, the blues was considered disreputable as white audiences began listening to blues. Blues came into its own as an important part of the country’s relatively new popular culture in the 1920s with the recording, first, of great female classic blues singers and, then, of the country folk blues singers of the Mississippi Delta, the Piedmont of the Carolinas, and Texas. The first copyrighted song was in 1912, the Dallas Blues. As huge numbers of African Americans left the South at this time due to failed Reconstruction, dismal economic conditions, oppression in the South and the hope of better treatment in the North between 1915 and 1940s, the blues went with them, and settled in the urban centers of the North, especially Chicago. A more urban, electric blues developed as a result, which eclipsed the rural blues of the South and eventually became both rock and roll and what would become known as rhythm and blues. Blues fell somewhat out of popular favor until the l...
Post a Comment
Read more