Skip to main content

World Party - Stop Holding On

One of the things that characterizes early blues music is an unusual amount of repetition and a distinctive song form. American music in the first two decades of the twentieth century, whether the popular music of Tin Pan Alley or the religious music of the mainline black churches, gravitated towards a sixteen bar verse format, with popular music often adding a sixteen bar bridge. Blues, by contrast, offered itself in a three line, twelve bar format, and without a bridge... a bridge bearing blues and the exception that proves the rule. By the mid 1920s, with the advent of recording and especially with the popularity of Blind Lemon Jefferson as a recording star.

Vocalizations are an important element of blues expressiveness, along with AAB structure and call and response procedure. A fourth aspect of blues expressiveness is something I will call blues idiomatic language. By this I mean the rich linguistic stew in which members of the blues subculture, musicians, audiences, and assorted hangers on, conduct their daily lives, on and off the bandstand... African retentions show up in blues language, as DeSalvo notes, the words hip and cat both have Wolof origins, but even more important is the freewheeling all American lingo of the underground economy that helped folks on the receiving end of Jim Crow survive and occasionally prosper... looking to steal from the best, like all songwriters, nicked words and phrases from the numbers runners, hookers, drag queens, thieves, junkies, pimps, moonshiners, hoodoo doctors, dealers, rounders, and con artists who made up the street set.
Source: Blues Expressiveness and the Blues by Adam Gussow


World Party - Stop Holding On
Written by: Karl Wallinger
Genre: Alternative, Rock
Released by: Seaview Records

"World Party were a British musical group, which was the solo project of its sole member, Karl Wallinger. He sings and plays most of the instruments himself, using multi tracking to create the studio sound. Lyrically, many of his songs feature thoughtful and occasionally political sentiments."

See previous Song of the Day

Comments

Popular posts from this blog

Veronica Swift - A Little Taste

There has always been an uncomfortable tension between rhythm and blues and rock and roll, a cyclical influence that vacillates between inspiration, appropriation and separation. Popular music has broken off into categories of rock, pop, country, and R&B, each with their own origin stories. But R&B and rock, usually codified as vastly different, Black and white styles, have long been intertwined in ways our historical memory may have us forget.  Despite the innovation that comes from separation, rock and R&B always find their way back to each other. In recent years, rock veterans have turned to the genre’s classics for inspiration. Queens of the Stone Age veered from their typical hard rock with 2017’s Villains, a dance y album inspired by frontman Josh Homme’s love of 1920s jazz and swing, other Black genres that laid the groundwork for the popular music of today. The whitewashing of rock’s history has oversimplified music’s malleability and silenced the voices of Amer...

Jackson Browne - Kisses Sweeter than Wine

Europe has a rich history of embracing blues and jazz music. In the early 20th century, American jazz musicians began touring Europe, introducing the continent to a new sound that was unlike anything they had ever heard before. Jazz became an instant hit among European audiences, and many European musicians began incorporating jazz elements into their music. Today, jazz festivals are held all over Europe, attracting thousands of fans from all over the world. In addition, many European cities have thriving blues scenes, with local bands and musicians performing regularly. Blues and jazz have also made their way to Asia, where they have found a devoted fan base. Japan, in particular, has a thriving jazz scene, with many Japanese musicians achieving international recognition. In addition, China has also seen a rise in the popularity of jazz music in recent years. Jazz festivals are now held in major Asian cities such as Tokyo, Shanghai, and Hong Kong, attracting jazz lovers from all over ...

The Gap Band - The Sun Don't Shine Everyday

The Gap Band - The Sun Don't Shine Everyday Genre: RnB Released in: 1984 Duration: 5:14 "The Gap Band was most successful when working with producer Lonnie Simmons, with four consecutive gold records. Their party train soon slowed to a stop. They reformed in the 90s and occasionally toured and attempted a comeback album." See Previous Song of the Day