Skip to main content

World Party - Stop Holding On

One of the things that characterizes early blues music is an unusual amount of repetition and a distinctive song form. American music in the first two decades of the twentieth century, whether the popular music of Tin Pan Alley or the religious music of the mainline black churches, gravitated towards a sixteen bar verse format, with popular music often adding a sixteen bar bridge. Blues, by contrast, offered itself in a three line, twelve bar format, and without a bridge... a bridge bearing blues and the exception that proves the rule. By the mid 1920s, with the advent of recording and especially with the popularity of Blind Lemon Jefferson as a recording star.

Vocalizations are an important element of blues expressiveness, along with AAB structure and call and response procedure. A fourth aspect of blues expressiveness is something I will call blues idiomatic language. By this I mean the rich linguistic stew in which members of the blues subculture, musicians, audiences, and assorted hangers on, conduct their daily lives, on and off the bandstand... African retentions show up in blues language, as DeSalvo notes, the words hip and cat both have Wolof origins, but even more important is the freewheeling all American lingo of the underground economy that helped folks on the receiving end of Jim Crow survive and occasionally prosper... looking to steal from the best, like all songwriters, nicked words and phrases from the numbers runners, hookers, drag queens, thieves, junkies, pimps, moonshiners, hoodoo doctors, dealers, rounders, and con artists who made up the street set.
Source: Blues Expressiveness and the Blues by Adam Gussow


World Party - Stop Holding On
Written by: Karl Wallinger
Genre: Alternative, Rock
Released by: Seaview Records

"World Party were a British musical group, which was the solo project of its sole member, Karl Wallinger. He sings and plays most of the instruments himself, using multi tracking to create the studio sound. Lyrically, many of his songs feature thoughtful and occasionally political sentiments."

See previous Song of the Day

Comments

Popular posts from this blog

Copyrights and Public Domain

Copyrighting and Public Domain Music A song is the combination of melody and words. Each is protected by copyright, the melody as a musical work and the lyrics as a literary work. One or the other could be used separately and still be protected. Image by Markus Spiske Public Domain Music Public domain essentially covers creative works that are no longer protected by intellectual property laws, compositions and musical recordings in which the claim to intellectual property has either expired, been forfeited, or been waived. Most people recognize the term public domain in reference to published works, including sheet music or musical recordings, which once were protected by copyright, but the copyright expired several decades after the artist’s death or a considerable length of time after the work’s creation. Once copyright expires on a work like a recorded song, you can use it for any purpose without paying the publisher, the artist, or another institution. The Two Types of Copyright ...

Cannonball Adderley - Willow Weep for Me

The positivity and uplifting effect of the musical product is more likely to mean the musician is cheering themselves and everybody up rather than that the musician is telling us they are happy. This can largely be applied to attitudes to the performance of jazz and other Black cultures in the Western world. Whilst some of the aforementioned jazz pioneers, like Ella Fitzgerald, stayed clean, several had a history of drug abuse... which often resulted in premature deaths. Louis Armstrong, who used the infinitely safer drug marijuana throughout his 69 years... Whilst drug use was not uncommon among musicians in general, this pattern that many of the greats of jazz died young due to addictions speaks of a consistent level of turmoil, and alludes to their common experience of racism as a depressive factor in 20th Century America. Source: A Soft Reminder of Where Jazz Came From by Tom Platts Cannonball Adderley - Willow Weep for Me Released in: September 1955 Genre: Jazz Label: Savoy "...

The Waterboys - Carolan's Weird Welcome

The blues developed during the mid 20th century as technology brought new instruments like the electric guitar, better microphones, and amplifiers to the live music scene. This new form of electric blues started in the Mississippi Delta and Chicago, but soon spread to other parts of the United States. Blues rock and British Blues developed, and soon the blues had spread to most popular genres. Rock was born from the blues, and hard rockin’ blues music is still a staple of club bands around the world. Early British rockers were avid collectors and imitators of early blues records. There’s no denying the blues stylings of modern stars like Adele. Pop star Christina Aguilera loves singing traditional blues songs, most notably her rendition of At Last at Etta James’s funeral. An incredible fusion of traditional African music, African American songs, and folk music, the blues had a worldwide impact that continues to flow through the melodies and harmonies of musical artists today. With its ...