Skip to main content

Swing Out Sister - Certain Shades of Limelight

Strong trembling sounds, melisma, changing the note of a syllable while it is being sung, wavy intonations, elongated notes, long pauses between sentences, glissandos, and a certain nasality are characteristic features of reciting and singing in the Islamic world... Middle Eastern singing is tense sounding and has a harsh, throaty, nasal tone, with a certain flatness.

Unsurprisingly, music was among the cultural exchanges that took place between North Africa and the western Sahel, defined here as the area stretching from Senegal/Gambia to northern Nigeria. Music in North Africa was distinctly different from music in the Middle East, having been influenced by the indigenous black populations living in the southern parts of the Maghreb and later by non Muslim victims of the trans Saharan slave trade. Often employed as musicians, these enslaved West Africans brought their music and rhythms to North Africa. In western Sahel, especially in the urban zones, Muslims adopted, adapted, and transformed the Islamic musical style. Much cross fertilization occurred on both sides of the desert.

In the Muslim areas of West Africa, the lower caste of professional musicians attached to courts or wealthy families developed a repertoire of genealogies, praise songs, and epics. They sang solo, or sometimes in groups, in a declamatory style, with wavy inflections, melisma, humming, tremolo or vibrato, and throbbing or quavering effects. This style, centuries old, continues to be heard in contemporary music. Professional singers accompany themselves or are accompanied by musicians playing string instruments, such as lutes, one string fiddles, the kora, a twenty one string harp, and balafons, xylophones.


Swing Out Sister - Certain Shades of Limelight
  • Released on: Where Our Love Grows album
  • Released: 2004
  • Genre: Electronic, Jazzdance


"The group presently comprises Andy Connell and Corinne Drewery, though it began as a trio in the United Kingdom, formed by Connell and Martin Jackson in 1985."

See previous Song of the Day

Labels:
Location: United States

Comments

Post a Comment

Popular posts from this blog

Ry Cooder - Available Space

It all started with gospel music. After the American Civil War, in the mid 19th century, people moved north from the plantations to the cities, St Louis, Chicago and Memphis. By the end of the 19th century the syncopated rhythms of ragtime and the improvisational nature of jazz had arrived. Hard times in the great depression of the 1930s drove many swing jazz big bands out of business. Jump blues filled the gap. Patrons of dance halls needed small groups who could match the volume and atmosphere of the departed big bands. Singers would shout and saxophonists would honk. This gave performers names like shouters and honkers. Jump blues was an uptempo jazz tinged style of blues. Usually characterised by a vocalist in front of a large horn driven orchestra or medium sized combo with multiple horns. The style had a driving rhythm, intensely shouted vocal and honking tenor saxophone solos. There was also less reliance on the guitar as a lead instrument. It also had a hard, rhythmic drive and...
Post a Comment
Read more

Mildred Bailey - Snowball

Many parents believed that this music was simply noise that had a negative influence on impressionable teens. Either way, it became clear that rock and roll was here to stay, bringing with it important changes... the impact of rock and roll, and... how the birth of this new music influenced and was influenced by technology, teen culture, race, and geography. Students will examine and evaluate conflicting opinions about the music that has appealed to teens over the past fifty years... identify whether they think each quote refers to music in the early days when rock and roll first emerged or in later years when heavy metal and hip hop became popular.   As rock and roll became a national phenomenon, many cities across the country became key to its development and expansion... The Rock and Roll Hall of Fame and Museum’s Landmark Series designates certain sites around the United States as historic rock and roll landmarks. These include King Records in Cincinnati, OH, the Surf Ballroom ...
Post a Comment
Read more

Lester Young - Ghost of a Chance (Take 1)

Philadelphia was well positioned to play a leading role in popular music. The city had long been one of the nation’s most important musical centers, with strong traditions in both European derived and African American music dating back to the eighteenth century. In the early twentieth century Philadelphia saw a dramatic increase in its Black population as a result of the Great Migration. By the 1940s, Philadelphia’s large and diverse Black population had created thriving scenes in jazz and gospel music. From these traditions a new kind of music emerged in the 1940s, in Philadelphia and across the nation. Usually played in small combos called jump bands, the music featured rollicking dance rhythms coupled with fairly simple blues based harmonies and melodies. The adaptation of this style, known as rhythm and blues or R&B, by white musicians essentially created rock and roll. In Philadelphia in the late 1940s and early 1950s, jump bands played dance halls, nightclubs, and corner bars...
Post a Comment
Read more