Skip to main content

The Coral - Beyond The Sun

Despite the retention of traditional instruments, the years immediately preceding World War II brought a definite change in the sound of the south Louisiana blues as it did throughout the states. The south Louisiana blues musicians started imitating the amplified sound of the bestselling artists of the day that they were hearing on the radio and recordings... With wailing harmonica and electric guitars booming over the wallowing sound of muffled swamp beat, the local musicians started to make their mark in the juke joints and bars. The 1950s saw the beginning of the development of south Louisiana urban blues, and by the end of the decade, the bluesmen begun to establish their warm recognizable style from the borrowed sounds. The style became known as Swamp Blues, and Baton Rouge became its home.

Exactly when the term originated is unclear, but there exist several origin narratives... it refers to the Devil's Swamp, just on the edge of Scotlandville, where most of the bluesmen had lived for the past fifty years... they would hold jam sessions on the porches of their homes, overlooking Devil's Swamp. So the name swamp blues seemed appropriate and the bluesmen started referring to their highly percussive sound as the swamp sound.

Similarly, the itinerant bluesmen from Louisiana found work relatively easily in nearby Texas and there was much movement between Texas and south Louisiana as the itinerant workers and bluesmen wandered from job to job and from gig to gig. The fact that the smoother, sophisticated sound of the horns that were becoming an integral part of the new Chicago sound never became absorbed into the Swamp Blues sound. Despite the traditions of such instruments from nearby New Orleans, the absence illustrates how confident the Louisiana bluesmen already were, with their own distinctive sound, the lazy, wallowing bass, the muffled drums, and melodious vocals.
Source: Blues & Blacks in the Red Stick: Origins, Evolution, and Current Status by Joyce Jackson


The Coral - Beyond The Sun
  • Recorded in: 2015
  • Released on: Mar 4, 2016
  • Genre: Psychedelic Rock, Alternative Rock

"The Coral's 2002 debut album, The Coral, was nominated for the Mercury Music Prize and listed as the fourth best album of the year by New Musical Express. Their second album, Magic and Medicine, produced four UK Top 20 singles."

See previous Song of the Day

Labels:
Location: United States

Comments

Post a Comment

Popular posts from this blog

Jackson Browne - Kisses Sweeter than Wine

Europe has a rich history of embracing blues and jazz music. In the early 20th century, American jazz musicians began touring Europe, introducing the continent to a new sound that was unlike anything they had ever heard before. Jazz became an instant hit among European audiences, and many European musicians began incorporating jazz elements into their music. Today, jazz festivals are held all over Europe, attracting thousands of fans from all over the world. In addition, many European cities have thriving blues scenes, with local bands and musicians performing regularly. Blues and jazz have also made their way to Asia, where they have found a devoted fan base. Japan, in particular, has a thriving jazz scene, with many Japanese musicians achieving international recognition. In addition, China has also seen a rise in the popularity of jazz music in recent years. Jazz festivals are now held in major Asian cities such as Tokyo, Shanghai, and Hong Kong, attracting jazz lovers from all over ...
Post a Comment
Read more

Ian Brown - Home Is Where The Heart Is

Talking to artists about how they had adjusted to the pandemic yielded information that normally doesn’t come up during artist interviews. While some musicians lost their main source of income, others were able to continue with their regular day jobs that, given the generally low pay for gigs, often allowed them to be active in the blues. Others were forced to turn to webcasting. In Clarksdale, Lucious Spiller was one of the first to do these shows and was likely the most active, for a year he played every Wednesday night, on Thursday afternoons, a time amenable to Europeans, and on most Saturdays, about as often as he normally performed. Aside from a fall off after the first weeks, support for the gigs, which was almost enough to pay the bills, remained steady until things began to open up in May of 2021. About five years ago, Clarksdale reached the milestone of live music seven days a week, 365 days a year, but that ended abruptly... The contemporary Southern soul market is largely s...
Post a Comment
Read more

David Sylvian - The First Day

When the story of Blues is told to the world, the small town Holly Springs, Mississippi and the North Mississippi region as a whole, is often left out. But, those who know, know that this region is the Hill Country, and it is the home of a style of blues unlike others and continuing to shape popular music culture. Mississippi Hill Country Blues, like all forms of the blues, is deeply rooted in the cultural memories and experiences of those who first performed it. It builds upon the African and diasporic emphasis upon rhythm as not just beats and timing, but giving syncopation and polyrhythm both rhythmic elements, an elevated role in music much like that of the melody. The driving rhythm and aggressive groove, established primarily by sitting on one chord for long phrases, set Hill Country Blues apart from other forms like Delta Blues. Hill Country Blues is the soundscape of the region that includes several counties and towns around Holly Spring, Senatobia, and Como, Mississippi. The r...
Post a Comment
Read more