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Game Theory - Penny, Things Won't

The blues points to a critical question for every person, what do we do with our sadness, pain, and disappointment? Do we use them to see more meaning in things and people? Do we use them to be kinder? Or do we use them to feel the whole world is bad, and to retreat from or lash out at other people? This, Aesthetic Realism explains, is the central fight in the mind of every person between the desire to like and respect the world, and the desire for contempt, which Eli Siegel defined as the disposition in every person to think we will be for ourselves by making less of the outside world.

The blues as musical form is against depression, even as the lyrics may describe that depressed feeling. This is explained greatly in a paper titled Feeling Bad, Good Will, and the Blues by Ellen Reiss, who is the Chairman of Education at the Aesthetic Realism Foundation in New York City.

By looking throughout the history of music, we can see how deep is the desire in humanity to relate pain and pleasure, the somber and the celebratory. A surprising example, which I’ve studied with my high school chorus is NY, is the motet Ave Verum Corpus, by the English Renaissance composer William Byrd. The piece begins in G minor but ends in G major, and throughout we find major and minor 3rds, 6ths and 7ths. And in the last phrase, on the words miserere mei, have mercy on me, we find major and minor actually overlapping. The altos and tenors begin, in G minor.
Source: Why Do the Blues Make Us Feel So Good? by Alan Shapiro


Game Theory - Penny, Things Won't
  • Written by: Fred Juhos
  • Released in: 1983
  • Genre: Rock

"Game Theory was a power pop band which formed in 1982 in Sacremento, California. The band's only constant member was singer and songwriter Scott Miller, vocals and guitar, who led the band through two major lineup changes before he disbanded the group in 1990."

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