Skip to main content

Christine Perfect - And That's Saying a Lot

The blues have been called chronicles of personal catastrophe expressed lyrically and endured with grace and dignity... It’s the combination of despair and hope that gives the blues such an approachable quality, as these two things often live together in the hearts of everyday people. The music acknowledges the truth of trouble in the world around us and in our own hearts. To call out such despair for what it is and then to undercut it with hope is what makes the blues so powerful.

Sadness and lament are emotions familiar to all people, and songs, when rightly written, have always been a place where these emotions can safely be expressed... Allowing the nature of the blues to have a seat at the table of church life is good for the congregation. Reflective sadness has a place in the life of a congregation.

It’s good for us to be shaken by the losses in our world that have taken place at the hands of injustice, inequality, poverty, depression, disease, and war... the blues can teach us to take up residence in those troubling spaces where there is hurt and to practice the difficult speech of hopeful lament.
Source: Lent Is a Time to Sing the Blues by Derek Sweatman


Christine Perfect - And That's Saying a Lot
  • Written by: Walter Godfrey, Chuck Jackson
  • Genre: Blues Rock, Rhythm & Blues
  • Released in: 1970

"Keyboardist Christine Perfect, married John McVie and joined Fleetwood Mac in 1970. As a member of Fleetwood Mac, Christine McVie was inducted into the Rock and Roll Hall of Fame and in 1998 received the Brit Award for Outstanding Contribution to Music."

See previous Song of the Day

Comments

Popular posts from this blog

Jackson Browne - Kisses Sweeter than Wine

Europe has a rich history of embracing blues and jazz music. In the early 20th century, American jazz musicians began touring Europe, introducing the continent to a new sound that was unlike anything they had ever heard before. Jazz became an instant hit among European audiences, and many European musicians began incorporating jazz elements into their music. Today, jazz festivals are held all over Europe, attracting thousands of fans from all over the world. In addition, many European cities have thriving blues scenes, with local bands and musicians performing regularly. Blues and jazz have also made their way to Asia, where they have found a devoted fan base. Japan, in particular, has a thriving jazz scene, with many Japanese musicians achieving international recognition. In addition, China has also seen a rise in the popularity of jazz music in recent years. Jazz festivals are now held in major Asian cities such as Tokyo, Shanghai, and Hong Kong, attracting jazz lovers from all over ...

Ian Brown - Home Is Where The Heart Is

Talking to artists about how they had adjusted to the pandemic yielded information that normally doesn’t come up during artist interviews. While some musicians lost their main source of income, others were able to continue with their regular day jobs that, given the generally low pay for gigs, often allowed them to be active in the blues. Others were forced to turn to webcasting. In Clarksdale, Lucious Spiller was one of the first to do these shows and was likely the most active, for a year he played every Wednesday night, on Thursday afternoons, a time amenable to Europeans, and on most Saturdays, about as often as he normally performed. Aside from a fall off after the first weeks, support for the gigs, which was almost enough to pay the bills, remained steady until things began to open up in May of 2021. About five years ago, Clarksdale reached the milestone of live music seven days a week, 365 days a year, but that ended abruptly... The contemporary Southern soul market is largely s...

Veronica Swift - A Little Taste

There has always been an uncomfortable tension between rhythm and blues and rock and roll, a cyclical influence that vacillates between inspiration, appropriation and separation. Popular music has broken off into categories of rock, pop, country, and R&B, each with their own origin stories. But R&B and rock, usually codified as vastly different, Black and white styles, have long been intertwined in ways our historical memory may have us forget.  Despite the innovation that comes from separation, rock and R&B always find their way back to each other. In recent years, rock veterans have turned to the genre’s classics for inspiration. Queens of the Stone Age veered from their typical hard rock with 2017’s Villains, a dance y album inspired by frontman Josh Homme’s love of 1920s jazz and swing, other Black genres that laid the groundwork for the popular music of today. The whitewashing of rock’s history has oversimplified music’s malleability and silenced the voices of Amer...