Skip to main content

T.L. Barrett & Youth For Christ Choir - Ever Since

The most common musical form of blues is the 12 bar blues. The term "12 bar" refers to the number of measures, or musical bars, used to express the theme of a typical blues song. Nearly all blues music is played to a 4/4 time signature, which means that there are four beats in every measure or bar and each quarter note is equal to one beat.

A 12 bar blues is divided into three four bar segments. A standard blues progression, or sequence of notes, typically features three chords based on the first (written as I), fourth (IV), and fifth (V) notes of an eight-note scale. The I chord dominates the first four bars, the IV chord typically appears in the second four bars and the V chord is played in the third four bars.

The lyrics of a 12 bar blues song often follow what's known as an AAB pattern. "A" refers to the first and second four bar verse, and "B" is the third four bar verse. In a 12 bar blues, the first and second lines are repeated, and the third line is a response to them, often with a twist.

Not all blues songs follow the 12 bar format, but by understanding this basic musical framework, the listener will gain a deeper understanding and appreciation for all blues music.
Source: Understanding the 12-Bar Blues by Vulcan Productions


T.L. Barrett & Youth For Christ Choir - Ever Since
  • From Like a Ship (Without a Sail)
  • Songwriter, arranger, electric piano by: Pastor T.L. Barrett
  • Genres: Gospel, Soul, Funk, Chicago Soul

"Self-released in 1971, Like A Ship was the result of Barrett channeling his passion for music, a determination to keep children off the streets, and his charismatic preaching into the production of the album."

See previous Song of the Day

Labels:
Location: United States

Comments

Post a Comment

Popular posts from this blog

Jackson Browne - Kisses Sweeter than Wine

Europe has a rich history of embracing blues and jazz music. In the early 20th century, American jazz musicians began touring Europe, introducing the continent to a new sound that was unlike anything they had ever heard before. Jazz became an instant hit among European audiences, and many European musicians began incorporating jazz elements into their music. Today, jazz festivals are held all over Europe, attracting thousands of fans from all over the world. In addition, many European cities have thriving blues scenes, with local bands and musicians performing regularly. Blues and jazz have also made their way to Asia, where they have found a devoted fan base. Japan, in particular, has a thriving jazz scene, with many Japanese musicians achieving international recognition. In addition, China has also seen a rise in the popularity of jazz music in recent years. Jazz festivals are now held in major Asian cities such as Tokyo, Shanghai, and Hong Kong, attracting jazz lovers from all over ...
Post a Comment
Read more

Veronica Swift - A Little Taste

There has always been an uncomfortable tension between rhythm and blues and rock and roll, a cyclical influence that vacillates between inspiration, appropriation and separation. Popular music has broken off into categories of rock, pop, country, and R&B, each with their own origin stories. But R&B and rock, usually codified as vastly different, Black and white styles, have long been intertwined in ways our historical memory may have us forget.  Despite the innovation that comes from separation, rock and R&B always find their way back to each other. In recent years, rock veterans have turned to the genre’s classics for inspiration. Queens of the Stone Age veered from their typical hard rock with 2017’s Villains, a dance y album inspired by frontman Josh Homme’s love of 1920s jazz and swing, other Black genres that laid the groundwork for the popular music of today. The whitewashing of rock’s history has oversimplified music’s malleability and silenced the voices of Amer...
Post a Comment
Read more

Cannonball Adderley - Willow Weep for Me

The positivity and uplifting effect of the musical product is more likely to mean the musician is cheering themselves and everybody up rather than that the musician is telling us they are happy. This can largely be applied to attitudes to the performance of jazz and other Black cultures in the Western world. Whilst some of the aforementioned jazz pioneers, like Ella Fitzgerald, stayed clean, several had a history of drug abuse... which often resulted in premature deaths. Louis Armstrong, who used the infinitely safer drug marijuana throughout his 69 years... Whilst drug use was not uncommon among musicians in general, this pattern that many of the greats of jazz died young due to addictions speaks of a consistent level of turmoil, and alludes to their common experience of racism as a depressive factor in 20th Century America. Source: A Soft Reminder of Where Jazz Came From by Tom Platts Cannonball Adderley - Willow Weep for Me Released in: September 1955 Genre: Jazz Label: Savoy "...
Post a Comment
Read more