Skip to main content

Marvin Sapp - Never Would Have Made It

From the earliest oral traditions Delta storytellers possessed a strong sense of place, of which the landscape, water, and heat formed the backdrop. Tragedy and melodrama are popular southern genres, and kinship and family are important themes in Delta literature. Southern class differences and racial conflict have also long given rise to written expression, and the themes of delta writers, especially the elementalism and focus on "blood, sweat and tears" reality, often parallel those of Delta blues songs.

Music and the lower Mississippi River delta are synonymous and, indeed, the Delta is the cradle of American music. Musical styles within the Delta region are diverse and it was here that the blues, Cajun music, jazz, and zydeco evolved. Yet best known around the world is the blues music of the lower Mississippi River Delta. Developed by people engaged in struggle, infused with spirit and speaking in dialect, the blues are rooted in African music and evolved from field hollars, the work songs of slaves that often carried deeply layered, coded messages. It is said that misery produces creativity and resiliency, and the blues is deeply rooted in the African-American experience and the rural settings of the Mississippi and Arkansas Deltas. The blues tell stories of frustrated love, broken homes, and other miscues of an oppressed and displaced people. The blues is a music of hardworking, exploited people and this distinct, indigenous music was largely developed by musicians with no formal training, but with an ear for the rhythms of their daily lives.

The success of blues music, however, is a relatively recent phenomenon. Originally a rural sound and strongly connected to place, blues went unrecognized as commercially viable for years, due to racial prejudice and the subsuming of the blues under other types of music, such as jazz and rock & roll. As the Mississippi River facilitated the movement of people and their music all over America, major metropolitan areas along the river, such as New Orleans, Memphis, St. Louis, and Chicago soon shared similar musical forms. Later, the blues began to circulate the nation on the radio, first recorded in Memphis before the Depression and later in Chicago. Today rap music is a form of contemporary blues that draws upon past blues’ themes and musicians, but old time Delta blues barely exists and is now mostly for new types of audiences.
Source: History and Culture of the Mississippi Delta Region


Marvin Sapp - Never Would Have Made It
  • From his seventh studio album Thirsty
  • Released 2007

"Marvin Sapp wrote this song as a tribute after the death of his father, Henry Lewis Sapp, Jr. He testifies that it was created by divine inspiration the Sunday after his father’s burial."

See previous Song of the Day

Comments

Popular posts from this blog

Jackson Browne - Kisses Sweeter than Wine

Europe has a rich history of embracing blues and jazz music. In the early 20th century, American jazz musicians began touring Europe, introducing the continent to a new sound that was unlike anything they had ever heard before. Jazz became an instant hit among European audiences, and many European musicians began incorporating jazz elements into their music. Today, jazz festivals are held all over Europe, attracting thousands of fans from all over the world. In addition, many European cities have thriving blues scenes, with local bands and musicians performing regularly. Blues and jazz have also made their way to Asia, where they have found a devoted fan base. Japan, in particular, has a thriving jazz scene, with many Japanese musicians achieving international recognition. In addition, China has also seen a rise in the popularity of jazz music in recent years. Jazz festivals are now held in major Asian cities such as Tokyo, Shanghai, and Hong Kong, attracting jazz lovers from all over ...

Veronica Swift - A Little Taste

There has always been an uncomfortable tension between rhythm and blues and rock and roll, a cyclical influence that vacillates between inspiration, appropriation and separation. Popular music has broken off into categories of rock, pop, country, and R&B, each with their own origin stories. But R&B and rock, usually codified as vastly different, Black and white styles, have long been intertwined in ways our historical memory may have us forget.  Despite the innovation that comes from separation, rock and R&B always find their way back to each other. In recent years, rock veterans have turned to the genre’s classics for inspiration. Queens of the Stone Age veered from their typical hard rock with 2017’s Villains, a dance y album inspired by frontman Josh Homme’s love of 1920s jazz and swing, other Black genres that laid the groundwork for the popular music of today. The whitewashing of rock’s history has oversimplified music’s malleability and silenced the voices of Amer...

Cannonball Adderley - Willow Weep for Me

The positivity and uplifting effect of the musical product is more likely to mean the musician is cheering themselves and everybody up rather than that the musician is telling us they are happy. This can largely be applied to attitudes to the performance of jazz and other Black cultures in the Western world. Whilst some of the aforementioned jazz pioneers, like Ella Fitzgerald, stayed clean, several had a history of drug abuse... which often resulted in premature deaths. Louis Armstrong, who used the infinitely safer drug marijuana throughout his 69 years... Whilst drug use was not uncommon among musicians in general, this pattern that many of the greats of jazz died young due to addictions speaks of a consistent level of turmoil, and alludes to their common experience of racism as a depressive factor in 20th Century America. Source: A Soft Reminder of Where Jazz Came From by Tom Platts Cannonball Adderley - Willow Weep for Me Released in: September 1955 Genre: Jazz Label: Savoy "...