Skip to main content

Garfield - Private Affair

LSD’s most obvious and pervasive influence on culture is to be found in music. That’s surely because music can be enhanced by the drug, prompting synaesthetic responses: seeing sounds as colours, patterns, shapes. What LSD doesn’t do, however, is make it easy to read a book, or concentrate on plot. So it’s only really in music that there’s a true overlap between work made about acid, and work made for enjoying when on acid… And while the sonic experimentation prompted by LSD may have rippled right into mainstream pop music, it’s not like full-on psych has ever really ceased: you can see it noodling away, right up to today’s bands.

Few musicians working today could claim to be unaffected by records such as, say, Revolver. The Beatles’ ‘acid album’ was released in 1966, and was a huge leap forward in sound, featuring tape looping, reversed guitars, vocal effects and altered speeds. The warp and wobble of Tomorrow Never Knows, with lyrics based on Leary’s The Psychedelic Experience Manual, might sound a bit trippy-hippie cliche today, but it was revolutionary at the time.
Source: How LSD influenced Western culture by Holly Williams


Garfield - Private Affair
  • On their second album "Out There Tonight"
  • Composed by Garfield French
  • Release Year 1977

"Frontman Garfield French (lead vocals) and the rest of the sextet (drummer Dennis French, keyboardist Jacques Fillion, guitarists Walter Lawrence and Paul O'Donnell and flutist Chip Yarwood) debuted in 1976 opening for 10cc in Ottawa, Canada."

See previous Song of the Day

Comments

Popular posts from this blog

Ry Cooder - Available Space

It all started with gospel music. After the American Civil War, in the mid 19th century, people moved north from the plantations to the cities, St Louis, Chicago and Memphis. By the end of the 19th century the syncopated rhythms of ragtime and the improvisational nature of jazz had arrived. Hard times in the great depression of the 1930s drove many swing jazz big bands out of business. Jump blues filled the gap. Patrons of dance halls needed small groups who could match the volume and atmosphere of the departed big bands. Singers would shout and saxophonists would honk. This gave performers names like shouters and honkers. Jump blues was an uptempo jazz tinged style of blues. Usually characterised by a vocalist in front of a large horn driven orchestra or medium sized combo with multiple horns. The style had a driving rhythm, intensely shouted vocal and honking tenor saxophone solos. There was also less reliance on the guitar as a lead instrument. It also had a hard, rhythmic drive and...

Mildred Bailey - Snowball

Many parents believed that this music was simply noise that had a negative influence on impressionable teens. Either way, it became clear that rock and roll was here to stay, bringing with it important changes... the impact of rock and roll, and... how the birth of this new music influenced and was influenced by technology, teen culture, race, and geography. Students will examine and evaluate conflicting opinions about the music that has appealed to teens over the past fifty years... identify whether they think each quote refers to music in the early days when rock and roll first emerged or in later years when heavy metal and hip hop became popular.   As rock and roll became a national phenomenon, many cities across the country became key to its development and expansion... The Rock and Roll Hall of Fame and Museum’s Landmark Series designates certain sites around the United States as historic rock and roll landmarks. These include King Records in Cincinnati, OH, the Surf Ballroom ...

Lester Young - Ghost of a Chance (Take 1)

Philadelphia was well positioned to play a leading role in popular music. The city had long been one of the nation’s most important musical centers, with strong traditions in both European derived and African American music dating back to the eighteenth century. In the early twentieth century Philadelphia saw a dramatic increase in its Black population as a result of the Great Migration. By the 1940s, Philadelphia’s large and diverse Black population had created thriving scenes in jazz and gospel music. From these traditions a new kind of music emerged in the 1940s, in Philadelphia and across the nation. Usually played in small combos called jump bands, the music featured rollicking dance rhythms coupled with fairly simple blues based harmonies and melodies. The adaptation of this style, known as rhythm and blues or R&B, by white musicians essentially created rock and roll. In Philadelphia in the late 1940s and early 1950s, jump bands played dance halls, nightclubs, and corner bars...